When somebody takes themselves seriously that's fodder for comedy. I think every musician goes through certain periods of their career where they're all guilty of that - Spandau Ballet included.
I refuse to feel guilty. I feel guilty about too much in my life but not about money. I went through periods when I had nothing, so somebody in my family has to get stinkin' wealthy.
I joined Spandau Ballet not because I wanted to be the best musician in the world, but because I wanted to be Elvis Presley, Marlon Brando.
Many who think that they are taking life seriously are actually only taking themselves seriously. Who takes himself seriously is over conscious of his rights; who takes life seriously is fully conscious of his obligations.
There's a lot that goes into being Tim McGraw or Kenny Chesney. They have great songs, their show is great, they're very fit. When you look at somebody who takes care of themselves, takes care of their business, that's what every CEO would do.
Being a classical musician, you can go to school for it; you can go get a degree. Even as a composer, there is a certain career path you can follow, but becoming a rock musician is a much more elusive career. How do you learn that or do that?
I wanted to make an album that takes a journey through all my favorite periods in music and then culminates in something that will most likely end my career.
I think everybody, especially every woman that you speak to, has gone through periods of their life where they feel uncertain or insecure. But I've been fortunate in my own life never to have gone through extended periods of crippling insecurity.
At the beginning, ballet accounted for at least two hours out of six hours of my daily training session. Later I devoted less time to ballet, but every workout of mine included training in choreography.
Every mathematical discipline goes through three periods of development: the naive, the formal, and the critical.
Our first record with Spandau Ballet went to number five - I guess we were offering something different and it appealed.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
A lot of people think that comedy is sort of a cop out to not wrestling seriously, but I actually would argue that comedy is much more difficult than wrestling seriously because you have to be creative in almost everything that you do if you want the comedy to make sense within the realms of pro wrestling.
I think heroism is when somebody really goes above and beyond the call of duty and does something outstanding for either themselves or somebody else.
In every career, you are balancing or negotiating tricky waters. But, I think that's been something nice that comedy has been able to give me a little bit more. I have the ability to laugh at myself and hopefully not take all of this whole world too seriously.
I don't think I'm all that interesting. I mean, I'm a guy who does a morning show and goes to bed at 9:00 every night. I mean, I don't have a lot in my life that's really fascinated or fodder for tabloids.
I think we've all worked with that person at the office who takes themselves and their job so seriously.