A Quote by Martin Kemp

Our first record with Spandau Ballet went to number five - I guess we were offering something different and it appealed. — © Martin Kemp
Our first record with Spandau Ballet went to number five - I guess we were offering something different and it appealed.
Our record number of teenagers must become our record number of high school and college graduates and our record number of teachers, scientists, doctors, lawyers, and skilled professionals.
Whether it was 'The Krays' or 'EastEnders' or the songs in Spandau Ballet, if you do a good job or make something that people enjoy, that's not something you want to move away from. I was never in a rush to get away from what people enjoyed.
We worked very hard on that untitled record to do something different and that we were proud of and to try a bunch of different ideas. It was like this gigantic musical laboratory that we were going to every day. I love that record, I think that's one of the high watermarks of us as a band.
Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
Slashing its way to the finish line, 'Black Swan' is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15.
The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15
Belushi was one of my very first heroes. At a time when film, television, and music were undergoing tectonic shifts within American culture, he was at the center of it all. At that moment, he had the number one show on television, the number one film at the box office, and the number one record on the charts.
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
You can't drink on an eight hour flight, pass out, and then go onstage... well you can, but then you're Spandau Ballet.
When somebody takes themselves seriously that's fodder for comedy. I think every musician goes through certain periods of their career where they're all guilty of that - Spandau Ballet included.
I had a really creative teacher at primary school. He used to get us doing things such as singing Spandau Ballet in drag in the choir, and I remember loving it.
I loved the variety of acting: turning your hand to different things and bringing whoever you were to it. There is something almost amateurish about it that appealed to me.
'Star Trek' fans totally accepted my sexual orientation. There are a great number of LGBT people across 'Star Trek' fandom. The show always appealed to people that were different - the geeks and the nerds, and the people who felt they were not quite a part of society, sometimes because they may have been gay or lesbian.
We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.
I really wanted the first record to be different from what I'd done with Genesis, so we were trying to do things in different styles.
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