A Quote by Martin Kemp
Whether it was 'The Krays' or 'EastEnders' or the songs in Spandau Ballet, if you do a good job or make something that people enjoy, that's not something you want to move away from. I was never in a rush to get away from what people enjoyed.
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Any time you get a chance to do something different or get away from your appearance or get away from what people are used to seeing, I think it's always good.
Licensing is how indie rock people make a living these days, so whatever about that. But I want good films and good placement for the songs because I want to be exclusive. I don't want to just sign it away because I don't want songs to lose meaning, but I'm also...I don't care [that] Wilco sold songs to Volkswagen. That's great. They probably drive Volkswagens.
I want to communicate with people, and I want to make something that works, and that people like. I'm never purposefully trying to be antagonistic or shocking or anything that would push an audience away. I'm always hoping to reach as many people as I can.
I saw in their eyes something I was to see over and over in every part of the nation- a burning desire to go, to move, to get under way, anyplace, away from any Here. They spoke quietly of how they wanted to go someday, to move about, free and unanchored, not toward something but away from something. I saw this look and heard this yearning everywhere in every states I visited. Nearly every American hungers to move.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
The thing with films is that you have to make something that will get people out of their houses, away from the TV set. You must touch people, say something. Otherwise, they'll stay at home.
And if the imam and the Muslim leadership in that community is so intent on building bridges, then they should voluntarily move the mosque away from ground zero and move it whether it's uptown or somewhere else, but move it away from that area, the same as the pope directed the Carmelite nuns to move a convent away from Auschwitz.
There's a thrill when you steal something in plain view of other people. When you drop a newspaper over a sign and walk away with it, or take something off a wall and the sound of the glue ripping makes people turn around. Your heart is racing, it's a rush.
Americans are very mobile and move around and choose the communities they want. On the ocean people would be even more mobile and empowered to link up with people they enjoyed, and detach and move away from people they did not. Increasing choice is a way to foster fulfillment in people's lives. I choose my friends and I'd prefer to choose my neighbors too.
I get to do something that millions of people across the world are going to see and enjoy and have fun with. People I'm never going to meet, people I'm never going to see, but when they finish their job tonight, they're going to be playing one of my games and that makes me feel good.
Golf's my job; it's not my life. It's something I've enjoyed, but I also like to get away from the golf course.
When you are converted, you want to do what you didn't want to do before, and you don't want to do what you wanted to do before. There's a change in the heart; there's a cleaning up, a change in orientation, and holiness becomes attractive, instead of something you have to put up with to figure out what you can get away with. As long as young people are asking, 'Can I get away with this?' or 'Can I get away with that?' I wonder if they're regenerate. If they're asking, instead, 'How can I grow in holiness?' then I suspect they've begun to understand.
I don't mind throwing something away. It should be your best or it should be what you want people to hear and something that's good for people.
When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
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