A Quote by Martin Kemp

I think one of the blessings of being involved in music is that you end up liking a bit of everything. — © Martin Kemp
I think one of the blessings of being involved in music is that you end up liking a bit of everything.
Now I worry. If people ended up liking me, did I do the job wrong? So I decided they didn't end up liking me - they ended up being able to deal with me.
I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
I don't mind people liking or not liking me. If you make something and then in the back of your mind you think it could have been a bit better, that can hurt a bit.
In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.
Drummers get bored. You tell them to play something simple, and it gets more complicated as they do it. If they're not a composer, if they don't have any kind of investment in the music, they'll just add a bit there and another bit there, and you think no! Don't do that. So you end up using a drum machine.
Step-parenting and being a step-sibling presents a lot of exciting opportunities. When families break up and re-form, there may be less order, less certainty, and a bit more trauma involved, but kids can end up having half-a-dozen parent figures.
I'd like it to be a bit of everything, the kind of music you can dance to, but also something a bit more personal, that you can listen to in other contexts. I think it's very important to maintain the contrasts between the different types of music that I make.
I believe I've accomplished my goals of trying to get better every year, and a little bit of that, a little bit of luck, a little bit of everything just falls in place, and you end up on top.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
I think everything that played a part in my life growing up is in my music. Being homeless, living in shelters, dealing with over-aged, older men that hit on me... all that is in the music.
When people hurt you over and over, think of them like sand paper. They may scratch and hurt you a bit, but in the end, you end up polished and they end up useless.
I think everything that happens to you becomes a part of what you end up doing and being and standing for.
I've been getting a bit of writing done, a bit of recording done and I just want to get out as much new music as I can before I end up spontaneously combusting.
I'm hands-on with everything. From music to a car to remodeling a house - anything. People don't know that stuff, though, 'cause I put all my focus into music and being mysterious a little bit.
We've become so postmodern as an audience and we're so familiar with the style of horror movies that they all kind of feel the same. I think if you can do something a little bit unexpected, then you as a filmmaker end up being one step ahead again. I think that's the key.
If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.
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