A Quote by Martin Kippenberger

What I'm working on is for people to be able to say that Kippenberger had this really good mood. — © Martin Kippenberger
What I'm working on is for people to be able to say that Kippenberger had this really good mood.
What I'm working on is for people to be able to say that Kippenberger had this really good mood
I've always been leery of comical artists because I think oftentimes they're hiding the fact that they're not that talented. For example, with Martin Kippenberger, I always thought he was a kind of poor man's Sigmar Polke - also a humorist - but Kippenberger used humor to get away with things he couldn't master.
It is illuminating to note, here, how the daily rituals and working routines of prolific authors and artists - people who really do get a lot done - very rarely include techniques for 'getting motivated' or 'feeling inspired'. Quite the opposite: they tend to emphasise the mechanics of the working process, focusing not on generating the right mood, but on accomplishing certain physical actions, regardless of mood.
As you work, the mood grows on you. There are certain images which suddenly get hold of me and I really want to do them. But it's true to say that the excitement and possibilities are in the working and obviously can only come in the working.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
I don't go out there and put on any sort of front for people. If I'm in a good mood, I appear in a good mood on TV, and if I'm in a bad mood, I just go out there and look like I'm in a bad mood.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
The good part about being famous is being able to help people. The hard part is every day you have to be in a good mood, because that is what people expect. You learn to get good at it.
When people ask me about drugs and alcohol, I say "Yeah, I went to rehab, I went to a mental hospital, I've been to jail." The main lesson you can learn is do drugs and alcohol when you are in a good mood, not when you are in a bad mood, and find balance in anything you do.
Tris," he says. "What did they do to you? You're acting like a lunatic." "That's not very nice of you to say," I say. "They put me in a good mood, that's all. And now I really want to kiss you, so if you could just relax-
These all sounded really bad, but they turned out to be good. If they had sounded really good, there would have been too many people working on them.
The 'Being Human' people were really cool and let me improvise. They had such a good working atmosphere. It was a cool set-up and a really good environment to be in.
I got my wife a mood ring. It works real good! When shes in a good mood it turns blue, but when shes in a bad mood theres a red mark across my forehead
I was certainly seriously emotionally affected [ when Louise Hillary and Belinda Hillary died], but we were building the hospital at the time and I decided that the only thing to do was to carry on and complete the hospital - and it was a jolly good hospital too, I might say. So I really did it by working and working on the things that Louise and I had been working on.
It's exciting to be with really, really good people. Some people make you feel like you've got to up your game. Working with good people is always good.
Obama ran as sane and decent, as though we were electing a mood, and not necessarily a set of policies. Unfortunately, Obama has governed the same way - and misread the mood, which is all there is, really, because being crazy and stupid is all we're really good at politically any more.
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