A Quote by Martin Kove
From the moment I got to Hollywood, I've always felt like I never really got to do what I wanted to do. In general, artists feel that you're never really allowed to accomplish what you would like to accomplish because there's just so much of this system that gets in the way; the business gets in the way of the art.
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Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
It’s really critical to have your dream life in your mind so that you’re constantly adjusting and designing your business in such a way to accomplish it, because you could very easily be highly successful and not accomplish the lifestyle you really want to accomplish in your heart.
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
I always loved horror as a kid. On the one hand, I really love monsters, because in a way I feel like I related to their outsider status and like the sentimental romantic plight of the monster. More importantly though I feel like people are completely motivated by fear, especially with our political system here in America which is just degenerating into more and more fear mongering and it gets in the way of real discourse, plus it's just something I'm obsessive about and have always been a little bit of a paranoid guy.
I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.
'AGT' was so much fun because I feel like the best part was meeting all of the contestants because everyone there was never mean, never competition - except for Preacher. But I'm kidding. He would just mess around and be like, 'I'm gonna beat you.' Everybody there was just really nice, and I got to be friends with mostly everyone there.
I feel like it's probably very out of character for Anthony to break into song. I feel like he might play the flute or something, like a really weird European cinema moment where it gets really odd and he serenades his love in music. You never know with Bridgerton.'
Hip-hop I never really got really into mainly just because I'm not a big fan of rap. I do like R&B artists like Beyonce. I'm a big fan of her mainly because of her vocals. They're just so awesome. I love her and Christina Aguilera, and that whole urban kind of feel is really great, especially with my voice.
I think that as actresses - and I've definitely gone through this in a really bizarre way, because I worked so much and was really lucky with the roles that I got when I was younger - I remember hearing the older actors saying, "It gets tough," and thinking, "Really? I can't imagine."
I've been asked before, "Who are your heroes?" and these types of questions. I always find it hard to identify a single person or a single book or this sort of thing. I've always been forward looking. I was raised with the notion that you can do pretty much anything you want. You're able to accomplish anything you set out to accomplish. I was given a sense of confidence and I never really felt the need to - or I've never had the benefit, I should probably say - of being inspired by outside heroes.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
For me, Facebook and Twitter was always just a way for me to reach out to the fans of the show, to communicate with my friends who where in the business, and I never felt like I wanted to use it to further my career in some way. I don't know that it has the power or the ability to do that. I just never thought about it in those terms.
There was never really a moment that I decided that I wanted to be a ballet dancer. It's always just felt like it's what I was meant to do.
I'd always meant to become a musician. I'd just never gotten around to it. And my daughter being born, I was like, Okay, this is seriously the last chance. And also: Do you really want to be a dad who never did what he wanted to do? You've got to set an example now. You've got to do this.
Everyone in show business makes these sweeping, "I'll never work with so-and-so again," because that's the way you feel at the moment. It's a business where there really is no point in ever saying never. There are people I've sworn that I would never go near again, and then you see an interesting role that would put you opposite that person and you think, "Well, we'll work together, maybe they were having a bad year."
A lot of people feel like urban fantasy is a shortcut that gets you around world-building, because it's set "in the real world." But it doesn't really work that way, as I found out. You have to come up with just as consistent an internal cosmology and magic system as you would if you were writing high fantasy.
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