A Quote by Martin Landau

In film, there are always things that could conceivably create artificiality in any performance. — © Martin Landau
In film, there are always things that could conceivably create artificiality in any performance.
In some ways any film that you do has an artificiality about it. Even when you're doing the most kitchen-sinky, gritty, realistic scene you've still got 50 people standing around watching you with cameras and lights and things.
There are things that you could do with film that you could never do with HD. There's a warmth and an organic quality - almost a handmade quality - that goes into film. Film will always have a bit more of a humanistic feeling to it.
There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
I have learnt to deal with the box office result. Whatever happened to any film, thankfully, people always appreciated my performance.
I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
In the 9/11 Commission Report, one of the things they point out is that firefighters saved just about everybody below the fire. I don't think they realize how proud the fire department is of that. Because, conceivably, that's all they could have done. They could not have gotten above that fire.
What we need to do is ensure that we don't create an environment that puts us on a track conceivably where the United States military finds itself in a civil military crisis with a commander in chief who would have us do illegal things.
I'm also always thinking about the score as a recording, as opposed to a performance that can be recreated in a live environment. Some of what I write could of course be played in a concert hall, but for the needs of a film I don't consider that.
I noticed a lot of bands always having a few people in the band being interested in recording and audio production, so I got the idea to create products that would appeal to them. Rather than create tools that only engineers could understand, I designed tools that any musician could use and get instant great sounding results.
Because I could take this as an opportunity to create something that I pretty much guarantee nobody else was going to create in film.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
It is mind-boggling to me that the Almighty power created everything I see; the Bible says that God created the entire universe just so he could create this galaxy just so he could create Earth so he could create human beings so he could create a family.
Insomnia is an increasing problem. I've become swayed that sleep disorders are conceivably the most unnoticed, ignored, underrated reason of health as well as performance problems in the place of work.
I've always liked the idea of inventing stuff. My father told me, because I was naïve, I would think things could work and therefore do them, because I would have no doubt even though there was no solid foundation for this confidence. I don't think I would be a real inventor. But when I set out to do animation, which was my first step into film-making, I realised I could achieve this idea. I could take some elements, create a sort of clumsy invention, and make them work for the camera.
I never feel there's anything I can't do with comics. There are certain things in comics that you can't do in any other medium: for instance, in Mister Wonderful, Marshall's narration overlaps the events as they're going on. That would be difficult in film; you could blot speech out with a voiceover, but it wouldn't have the same effect. That's always of interest, to see what new things you can do in comics form.
We didn't create the culture of film. We certainly market it better than anyone in the world, but film could have happened anywhere. It's not distinctly American, as witnessed by the fact that there are film communities throughout the world that tell stories to their own cultural liking.
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