'Behind The Candelabra' is an HBO movie. It's the Liberace story. Michael Douglass and Matt Damon. I play a small part in it. I play a choreographer who introduces, brings Matt Damon to Las Vegas for the first time.
When I tell my friends, 'I'm in the 'Bourne' movie,' they're like, 'Congratulations! Wait... is Matt Damon coming back?' I go, 'Yeah.' And they're like, 'Yo! Matt Damon! Matty D!' Everyone pretends they know Matt Damon. It's exciting.
As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?
I hope that the restaurant I go to will have buffalo chicken fingers. I hope that one day I can work with Matt Damon. I have big and little dreams, and they're all equally important to me. A life without buffalo chicken fingers, I don't know if I would want that life. Even if it meant I got to work with Matt Damon. Everything has its worth.
You'll call me Damon. I see no need for dramatic titles. I, on the other hand will call you beautiful, lover, mine. I'll call you mine." (Damon to Serena)
If my husband's going to kiss anybody, let it be Matt Damon.
I have learned that in a long life we all eventually play the part of the betrayed, and we all eventually play the part of the betrayer, and neither is pleasant because both roles involve pain, inflicting or absorbing it.
I'd like to play Matt Damon's daddy. He's a wonderful actor, I really admire him, and I'd like to play his dad one day.
California has become the first American state where there is no majority race, and we're doing just fine. If you look around the room, you can see a microcosm of what we can do in the world. . . . You should be hopeful on balance about the future. But it's like any future since the beginning of time -- you're going to have to make it.
My favorite actors are Matt Damon and Leonardo DiCaprio and Will Smith - guys like that.
That's why 'The Bourne Identity' has that sort of shaky style, because for the most part, Matt Damon and I were sneaking around Paris and shooting where we didn't have permits.
Character actors like Philip Seymour Hoffman and James Gandolfini have found themselves getting more and more leading roles because they are permitted to behave onscreen in ways that George Clooney and Matt Damon never could.
I think it's OK to play to your strengths, and if I have a quality of Englishness that people like, I won't hide that. I'm probably not going to play a junkie and that's OK because there are other people who will do it better. A view that's been held for a long time is that the best way to prove oneself as an actor is to play the grittiest roles out there. I don't agree with that.
I'm happy with the people that I have around me. And they've been friends of mine since I was young, for a very long time.
Since I've worked in film and television for so long, I've acquired the ability to let the version of the characters that lives in my mind make way for the living, breathing humans who are going to play them on screen. If you cast it right - and casting is about 80% of directing - they will eventually replace or exceed the imaginary image.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.