A Quote by Martin Landau

I did theatrical caricatures. — © Martin Landau
I did theatrical caricatures.
Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
I am in the theatrical profession myself, my wife is in the theatrical profession, my children are in the theatrical profession.I had a dog that lived and died in it from a puppy; and my chaise-pony goes on, in Timour the Tartar.
I did a theatrical musical, Annie Warbucks, when I was 11. We did a tour and we stopped by Los Angeles.
Caricatures are an important part of our culture of debate. They should defuse political spats through humor and irony. It is about making a strong statement but softening it with a wink. So Danes do not get too upset about caricatures. None of us is interested in insulting Muslims.
It seems like everything is so polarized. You get the caricatures of people, the caricatures of their beliefs. "I hate this kind of person" or "I love this kind of person." But actually, there's a lot of great things about them. There are things to like. There's possibility of change.
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
Doing musicals and theatrical productions, I never did any of my hits.
'MAD Magazine' put out a book that was a collection of Trump cartoons, and they asked me to do the forward because they knew that I was a fan because I'd done stories and tweeted about 'MAD.' So I did the forward and asked them if I could do a cartoon. They let me, and I did caricatures of myself and Wolf Blitzer.
Every film may not be appropriate for a theatrical release, and the theatrical business is not a very good business for anybody except the distributor.
Rembrandt was way ahead of his time. It's as if he was painting an amateur theatrical, or a professional theatrical, in his studio. It's a kind of performance.
I behave differently in different situations, and I'm slightly unstable and insecure, which I think are natural conditions of what I do. And I have a weird ear. Whatever I hear, I emulate. When I was a kid I did impressions: Forrest Gump, Rain Man, really big caricatures.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
The comic novels I did when I was in my 20s had a harder edge - less sympathy for people. Or a sympathy that was harder to detect: Characters' foibles and obsessive bents were unrelenting, like caricatures.
I'm not a theater rat, so I never got a theatrical agent and did a play. I came really close though.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.
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