A Quote by Martin Landau
Subliminally, I had always wanted to act. Although I had only performed in a couple of plays, I was serious about it and was subsequently trained by people like Lee Strasberg and Elia Kazan.
Related Quotes
I trained as an actor with Lee Strasberg, Elia Kazan, and Harold Clurman, and those guys set a very high bar.
I studied with Strasberg, Elia Kazan. They raised the bar. They weren't easy to please, and they made you achieve the best you could do. That's what a teacher does: he infuses you with passion for something.
Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.
There are people whose sense of reality is very strong, who have a sense of honesty. Lee Strasberg is like that, my grandfather was like that. These are the kinds of men I've had close relationships with.
It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me.
Lee Strasberg told me I had talent. Real talent. It was the first time that anyone, except my father--who had to say so--told me I was good. At anything. It was a turning point in my life. I went to bed thinking about acting. I woke up thinking about acting. It was like the roof had come off my life!
Warren [Beatty] loves to talk about his experiences with [Elia] Kazan.
I never felt Lee Strasberg could act, and I fail to see how someone who can't act can teach acting.
[Warren's Beatty] first film being with this very important director [Elia Kazan], I think we related on that in a big way. And I just was genuinely curious about his experiences in film, and about the people he knew.
Suddenly we saw that you could do plays about real life, and people had been doing them for some time, but they weren't always getting to the audiences. They were performed in little, tiny, theatres.
'A Face in the Crowd' is Elia Kazan's forgotten movie.
My best film composing experience was with Elia Kazan.
I had always wanted to be an actress. I went to summer theater camp from kindergarten on up until high school, and always had the leads in all the plays - even though they were at the YMCA - but it was something I always wanted to do.
I was 14, when I wanted to be an actor. My parents were basically like, "This is a very hard life, and you have to be really serious about it, and show us that you're serious about it. You can't drop out of school." They strongly encouraged me not to act professionally until I finished college, which I didn't. And I think they should have been horrified! It's a really hard life. I'd be really scared if I had a child who wanted to be an actor.
My heroes are guys like Frank Capra and Elia Kazan and Coen brothers and Terry Gilliam, more so than a lot of bass players at this point in my life. So I've always been an old-film nut and have very much enjoyed doing videos over the years.
Elia Kazan - the films he made were such a big deal for me when I was growing up.
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