A Quote by Martin Landau

The more complicated the character, the better I am. It's the one-dimensional crap that I had to do for years that drove me crazy. — © Martin Landau
The more complicated the character, the better I am. It's the one-dimensional crap that I had to do for years that drove me crazy.
If something good was happening in my life, I'd call my mom to let her know. If something bad was happening, she'd be somebody whose advice I would seek out. We had a very good relationship, but she drove me crazy, all the time. But, she drove me crazy in a loving way.
I believe strongly that characters are five-dimensional, and they're complicated, and life is complicated, and people are complicated.
In 'Road,' my character is linear and uni-dimensional. It was more of a reacting character. I am a foil to the other characters in the film. It is the most normal character in the most abnormal, extraordinary film.
My son is 7 years old. I am 54. It has taken me a great many years to reach that age. I am more respected in the community, I am stronger, I am more intelligent and I think I am better than he is. I don't want to be a pal, I want to be a father.
My first car was kind of sad. My first car was when my parents had completely worn out their Toyota Corolla that they had for 16 years or something. They gave me, for my 19th birthday, this really ancient Toyota. So that was my first car. And I loved it. I thought it was amazing, and I drove it cross-country. It was not aesthetically appealing in any way. It was it fast. It did not handle well, but it lasted forever. I drove cross-country and back, and then I gave it to my sister, and she drove it for another 10 years.
The trick to acting is not to show off; it's to think the thoughts of the character. I was lucky because when I started acting, it was doing jobs above pubs. I learned to act in anonymity, so by the time people saw me, I knew what I was doing. I was crap for years, but no one saw me being crap. It's a trade you learn.
That constant need to do better and better is what drove me to start more and more companies - but it wasn't enough.
I've taken a lot of crap from a lot of people. Probably more than anybody in the history of this sport. I know Hank (Aaron) and Jackie (Robinson) took a good deal of crap, but I guarantee it wasn't for six years. I just keep thinking: How much am I supposed to take?
I hated the lost colony; in second grade, we were doing American History, and they said, We don't know what happened to them. That drove me nuts. That lost colony drove me crazy.
I am not going to sit here and disrespect Tottenham one bit because what they have done for me over the years is fantastic, and I am more than grateful. The way they have made the stepping stones in the right direction over the years I have been there is crazy.
I'm a terrible photographer.I'm not being modest. My photos really are crap. But in a way, the more the photo is crap, the better to paint from.
It hurt me to be away from him. Some days I went crazy wondering what he was doing. And when I couldn't handle it, I practiced music. I really had Aspen to thank for me being the musician that I was. He drove me to distraction. And that was bad.
The only person who had any control was Jonathan Harris. His character was so flamboyant that he was able to make things happen. My character was fairly one-dimensional, so I had my relationship with Dr. Smith and with the family.
I am an artist, and I have a lot more to offer than just being a one-dimensional character, and I think our audience sees that and understands that - they're behind it.
I'm not interested in playing the villain as a loud caricature, one-dimensional character. I am trying to humanise evil. If you see my character in 'Aurangzeb,' I am not trying to act evil.
My size has helped make me an amazing performer too. The cliche of the Funny Fat Friend: I absolutely was that character - I am that character... It's a complicated bag of tools I acquired, and I've put them all to work onstage.
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