A Quote by Martin Landau
The way a character sounds is so important to how you're going to play him.
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Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.
I have a journal, and every character that I play, I write as the character: how I feel about things and how I'm going to play it.
I think that the most important thing for me is how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor.
Occasionally, some brother sings very earnestly through his nose, often disturbing those around him, but it does not matter how the voice sounds to the ears of man. What is important is how the heart sounds to the ears of God.
I think that the most important thing for me is, how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor. Also, a good director and good dialogue.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
The only way I know how to do something, as cheesy as it sounds, is to become that character, and it affects me in a not so healthy way.
How are we going to know what sounds are important before we've even heard those sounds? It's an absurd question. The only thing we can say is that we're going to base it on our past experience. In other words, modern listening doesn't inform us of anything new. It simply keeps us in the past.
With a face like mine, I'm never going to play a character who conquers the universe, I'm going to play characters who are subject to forces bearing down on them. My career's based on how we are rather than how we wish we were - they get the good-looking boys in for that kind of role.
I think you have to be more flexible to be a pro coach because once you pay the guy the money, whether he can backpedal the way you want him to or whatever, his style of play may not suit you, but you still are going to play him, and he is going to be a part of your team.
It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
I was curious. Here was a character where I just didn't know how they were going to write him into 13 episodes without it being one note. My fear was that I didn't want to join something where I was just going to be this prop and this mustache twirling character.
Legend' is a stylised film. The character I play is a complete egoist. He cannot tolerate anyone touching him or slapping him. Whenever anyone antagonises him, he becomes cruel. That's how the 'war' between the hero and him starts. It's a solid meaty break for me!
Players like Didier Drogba, going to watch him play and seeing him off the pitch as well, I got to see how he was with the players and the youngsters. Growing up, he was a good idol. He's a bubbly, funny character. He likes to make people feel welcome. You need those kind of people, wherever you are.
You have to play the character in the best way you know how and do what you need to do in order to bring that character to life and not worry about the millions of people that you may be disappointing!
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