A Quote by Martin Landau

My technique has always been to include all the periphery around me. — © Martin Landau
My technique has always been to include all the periphery around me.
If you don't pay attention to the periphery, the periphery changes and the first thing you know the periphery is the center.
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
I've always been on the periphery.
I would consider the principal threats to start with Russia. And it would certainly include any nations that are looking to intimidate nations around their periphery, regional nations nearby them, whether it be with weapons of mass destruction or I would call it unusual, unorthodox means of intimidating them.
I would consider the principal threats to start with Russia, and it would certainly include any nations that are looking to intimidate nations around their periphery, regional nations nearby them, whether it be with weapons of mass destruction or, I would call it, unusual, unorthodox means of intimidating them, that sort of thing.
My focus had always been the on-side. My coach wanted me to work on the offside strokes since he was convinced of my ability and timing on the leg side. I worked hard and firmed up my defensive technique. I am happy getting runs all around the wicket now, and getting a lot of boundaries. No one calls me a 'leggie batsman' anymore.
I seem to have been everywhere in the last 30 years, maybe not in the epicenter but flying around the periphery of extraordinary events and equally extraordinary people.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
I've always had people around me who will love me for me, regardless of whether the football went well or if I'd have had to go down a different route. I've always felt that no matter where I've been or what I've been doing, I've always had that to fall back on, which is comforting.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
Part of me always felt like the other, the outsider, the observer. My father had two sons with his second wife, who I didn't meet until my late 20s. I was always on the periphery. In Madrid, I was the only Turk in a very international school, so I had to start thinking about identity. All these things affected me.
There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.
I've always been an outsider. I've always been attracted to roles that would challenge me and that wouldn't come around very often.
I've been out on the periphery.
I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.
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