A Quote by Martin Lawrence

I don't want to sound facetious, but humour is the key to the soul. You know what I mean? — © Martin Lawrence
I don't want to sound facetious, but humour is the key to the soul. You know what I mean?
Every soul confined in a prison of sin, guilt, or perversion has a key to the gate. The key is labeled “repentance.” If you know how to use this key, the adversary cannot hold you.
I've never sat down with the intent of trying to shock or anything like that; it just so happens that the sense of humour I enjoyed watching as a kid is the type of humour I try to emulate as an adult. It's not a decision. It might sound a bit wanky, but it's the truth.
The difference between farce and humour in literature is, I suppose, that farce strums louder and louder on one string, while humour varies its note, changes its key, grows and spreads and deepens until it may indeed reach tragic depths.
It's definitely not true what they say about women wanting a guy with a sense of humour. What women mean is that they want a guy with a sense of humour who is really handsome. If a girl had a choice between Brad Pitt or me, she'd pick Brad Pitt. And I'm a lot funnier than he is.
All humour is critical, you know? You make stupid jokes. I mean, stupidity is an infirmity, isn't it?
Having a sense of humour is really key. You have to have a sense of humour with these things and I've just tried to remain who I am. My life has changed. It's changed in the fact that I don't have the freedoms I did before, but I've also got a huge amount of other freedoms that came along with it.
I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?'
I want to do horror and action, and I'm only being slightly facetious.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
A man of knowing attains to a sense of humour. Let this always be remembered. If you see someone who has no sense of humour, know well that that man has not known at all. If you come across a serious man, then you can be certain that he is a pretender. Knowing brings sincerity but all seriousness disappears. Knowing brings a playfulness; knowing brings a sense of humour. The sense of humour is a must.
The thing about humour is that the super-ego is also at play, so what interested me, particularly in the last chapter which is key to the book -and no one seems to have picked this up in writings on Freud - is that, in the later Freud, the essence of humour is the ability to look at myself and find myself ridiculous. That makes me laugh.
I like working with sound; sound and rhythm. I like the abstract more than "What does that mean?" Nobody ever says to you, "Why did you use a harmonium?" Or "What is that ringing sound that occurs here?" The questions are always "What does that song mean?" or "What were you trying to say here?"
When I think of the things that I want to write, I can never say them out loud because I know how crazy they sound. I know what things sound like when you haven't actually worked on the script, so I don't go around saying some of these ideas because they just sound awful.
Compression is a necessary evil. The artists I know want to sound competitive. You don't want your track to sound quieter or wimpier by comparison. We've raised the bar and you can't really step back.
Herein, lies the key to love. Love builds bridges. Soul exists because God loves It. Soul equals Soul; no one Soul is greater than another. Experience the greatest love of all.
A sound soul dwells within a sound mind and a sound body.
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