A Quote by Martin Luther King, Jr.
The Negro who experiences bitter and agonizing circumstances as a result of some ungodly white person is tempted to look upon all white persons as evil, if he fails to look beyond his circumstances. But the minute he looks beyond his circumstances and sees the whole of the situation, he discovers that some of the most implacable and vehement advocates of racial equality are consecrated white persons.
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Cottonmouth is the result of having to react to his circumstances. He had to, in some ways, take control of the situation and own his circumstances. But as a result of that, he became a person he didn't intend to become.
The humor of jazz is rich and many-sided. Some of it is obvious enough to make a dog laugh. Some is subtle, wry-mouthed, or back-handed. It is by turns bitter, agonized, and grotesque. Even in the hands of white composers it involuntarily reflects the half-forgotten suffering of the negro. Jazz has both white and black elements, and each in some respects has influenced the other. It's recent phase seems to throw the light of the white race's sophistication upon the anguish of the black.
I had begun to read books and things and, in fact, one of the persons who started me thinking seriously was an atheist that I, another negro inmate whom I'd heard in a discussion with white inmates and who was able to hold his own at all levels. And he impressed me with his knowledge, and I began to listen very carefully to some of the things he said.
Wherever we may be, or whatever our circumstances, the Lord Jesus sees them. We are never beyond the reach of His care.
A particular train of thought persisted in, be it good or bad, cannot fail to produce its results on the character and circumstances. A man cannot directly choose his circumstances, but he can choose his thoughts, and so indirectly, yet surely, shape his circumstances.
It is the duty of the younger Negro artist . . . to change through the force of his art that old whispering "I want to be white," hidden in the aspirations of his people, to "Why should I want to be white? I am a Negro - and beautiful!"
As long as Negro leader is making the white man think that our people are satisfied to sit in his house and wait for him to correct these conditions, he is - he is misrepresenting the thinking of the black masses, and he's doing the white man a disservice because he's making the white man be more complacent than he would be if he knew the dangerous situation that is building up right inside his own house.
In the treatment of poverty nationally, one fact stands out: there are twice as many white poor as Negro poor in the United States. Therefore I will not dwell on the experiences of poverty that derive from racial discrimination, but will discuss the poverty that affects white and Negro alike.
The Negro was taught to speak the white man's tongue, worship the white God, and accept the white man as his superior.
To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
Thus we see, too, in the world that some persons assimilate only what is ugly and evil from the same moral circumstances which supply good and beautiful results--the fragrance of celestial flowers--to the daily life of others.
By dismantling the narrow politics of racial identity and selective self-interest, by going beyond 'black' and 'white,' we may construct new values, new institutions and new visions of an America beyond traditional racial categories and racial oppression.
Marihuana influences Negroes to look at white people in the eye, step on white men's shadows and look at a white woman twice.
A lot of times, when you don't have to deal with some of the circumstances that affect minority culture, you just don't think they exist. This is a conversation I have with lots of my white friends all the time.
When the sunlight strikes raindrops in the air, they act like a prism and form a rainbow. The rainbow is a division of white light into many beautiful colors. These take the shape of a long round arch, with it’s path high above, and it’s two ends apparently beyond the horizon. There is, according to legend, a boiling pot of a gold at one end. People look, but no one ever finds it. When a man looks for something beyond his reach, his friends say he is looking for the pot of gold at the end of the rainbow.
We must recognise that duty and morality vary under different circumstances; not that the man who resists evil is doing what is always and in itself wrong, but that in the different circumstances in which he is placed it may become even his duty to resist evil.
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