A Quote by Martin Luther King, Jr.
It's very easy for one talking about violence and hatred for the white man to appeal to [Negro from ghetto]. I have never thought of this, but I think this is quite true, that if, even if you talk to them about nonviolence from a tactical point of view, they can't quite see it because they don't even know they're outnumbered.
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I went to this arts high school in Greenville, S.C. In speech class, the teacher, a white man, would say, 'You're talking ghetto. Don't talk ghetto.' I'm not only offended, but I'm confused because while there's nothing wrong with people who come from the projects or the ghetto, that's actually not my experience.
If I did see a white man who was willing to go to jail or throw himself in front of a car in behalf of the so-called "negro cause," the test that I'd put to him, I'd ask him, "Do you think negro, when Negroes are being attacked they should defend themselves even at the risk of having to kill the one who's attacking them?" If that white man told me, "Yes," I'd shake his hand.
What I'm talking about is both political and then also extra-political. Because what Donald Trump is doing is not simply to be measured in terms of its political effect. It's the very spiritual uplift of the nation. It's the very tenor and tone, morally speaking, of what this country is about. And so the unleashing of these fierce and ferocious beliefs have a potential impact that is quite deleterious, quite negative, quite destructive. And I think we have to say something.
In the event of a violent revolution, we would be sorely outnumbered. And when it was all over, the Negro would face the same unchanged conditions, the same squalor and deprivation-the only difference being that his bitterness would be even more intense, his disenchantment even more abject. Thus, in purely practical as well as moral terms, the American Negro has no rational alternative to nonviolence.
When you mentioned something about self improvement, the implication is that the negro is something distinct or different, and, therefore, needs to learn how to improve himself. Negro leaders resent this being said, not because they don't know that it's true, but they're thinking, they're looking at it personally. They think that the implication is directed even at them, and that they, and they duck this responsibility.
I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
Everyone always wants to talk about 'True Blood' and 'Battlestar Galactica' - no one's even interested in 'Durham County.' It blew my mind when I came to Canada and no one asked me about the show. So many people didn't even know about it. They didn't even know it was on the air! It's very curious to me.
I would quite like to see stories that are not necessarily to do with the violence, because I think there was quite a lot of normality in our world - but it is never reflected on the screen.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
It is easy to see that, even in the freedom of early youth, an American girl never quite loses control of herself; she enjoys all permitted pleasures without losing her head about any of them, and her reason never lets the reins go, though it may often seem to let them flap.
The fact that there's a more open discussion about everything from feminism to racism?...?I look at my two boys?...?this is their future I'm talking about. When I'll be long gone, it'll be them and their kids. I know that sometimes the darkest times are followed by the lightest. Sometimes bad things have to happen for good things to happen. At the very worst, we're having very open discussions, discussions about things we didn't even know f-king existed. I talk to my friends about it and they are absolutely shocked. They didn't even know.
There lived a redheaded man who had no eyes or ears. He didn’t have hair either, so he was called a redhead arbitrarily. He couldn’t talk because he had no mouth. He had no nose either. He didn’t even have arms or legs. He had no stomach, he had no back, he had no spine, and he had no innards at all. He didn’t have anything. So we don’t even know who we’re talking about. It’s better that we don’t talk about him any more.
The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
Even then, I didn't quite know what to make of it [captain Kirk death]. I was mystified by why I was doing it, why I was so driven to do it, and why it was affecting me like it was. I still don't know what it means. It's a strange singular experience. I don't even know anyone to talk to about it because I don't know anyone who's had that experience.
I think, at some level, we see young people all over the country mobilizing around different issues, in which they're doing something that I haven't seen for a long time. And that is, they're linking issues together. You can't talk about police violence without talking about the militarization of society in general. You can't talk about the assault on public education unless you talk about the way in which capitalism defunds all public goods. You can't talk about the prison system without talking about widespread racism. You can't do that. They're making those connections.
I think I have quite traditional views on original sin, grace, and the real but difficult nature of we humans being able to learn something true about being human that we didn't know before. And yet the consequences of this traditional view are really quite radical.
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