A Quote by Martin McDonagh
I think as a writer you never have to flee from fame because you're not that visible in the first place, but, after the Broadway success of 'Beauty Queen,' people were coming up to me all the time, and I wasn't really prepared for that level of attention.
Related Quotes
Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
We were starting to lose track with Earth because fame and success brings you many things that you're not really prepared for or know how to deal with as a human being.
Where you go to these really good schools, and it's all about preparing for the next step of success. That was never even on my radar. My job is to explore the world, because this is my one life, you know? That's totally how I see it. But I came to Yale just being like, Yeah, now I get to explore this place and meet all these people who are really smart. And I was just excited to be surrounded by people who were as smart as me or were probably smarter. And I just did not expect the level of competition and bitterness and anger, and, the tearing each other down.
We never really felt a real level of respect. The fame was fantastic, but that wasn't that important to me, because for every million people that loved me I focused on the one that hated me.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
In New York, I get people coming up to me because 'The History Boys' was such a hit on Broadway, and they show the film all the time on cable over there, so people recognise you.
Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
'Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
Success was one of my weakest points. I was so ill-prepared for it. I never appreciated within myself the gift of success. I never accepted it. People gave me so much momentum and love, and people really got my music, but I didn't accept it. That's probably one of my biggest regrets.
As single-mom female inventor, there was no path for that, so really I don't think people took me seriously for a really long time. Certainly the Miracle Mop being my first successful product, people started to pay attention, and I guess now they really pay attention.
What fuels me is that there are a lot of people coming to Broadway and to the show [Aladdin] for the first time. Lots of kids and lots of adults and it's usually the kids were it's a special moment for them.
When I did 'Think Like A Man', I would run into people who were acting like it was the first thing I'd ever done. I was at the premiere of 'Think Like A Man,' and people were coming up to me, like, 'Man, you're going to get work after this, bruh.'
I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. My looks were not part of my transportation - certainly not in the typical leading lady role - so I never leaned on it and I never really made that a high value.
It's so Canada. On some level, you laugh, but on another level, it's just depressing. We pride ourselves: We're not like the bad old U.S. where they had segregation, whites-only washrooms and hotels. We think we were the capital of the Underground Railroad, we were the place to where the slaves escaped, we were a much better country. But in fact, some of the black people in Canada at the time said, 'It's actually much easier in the United States because you know which hotels, restaurants, theatres won't let you in because the signs are there. In Canada, you never know.'
I really think my fun personality is my ace in the hole. I will never claim to be the most beautiful or most talented queen, because I can think of many queens who fit that description. However, it's my "charisma" that takes me to a higher level in my drag!
Related Authors
Abi Morgan Quotes
Welsh
Playwright
Arthur Miller Quotes
American
Playwright
August Wilson Quotes
American
Playwright
Eve Ensler Quotes
American
Playwright
George Bernard Shaw Quotes
Irish
Playwright
George C. Wolfe Quotes
American
Playwright
Jeff Lindsay Quotes
American
Playwright
Lynn Nottage Quotes
American
Playwright
Moliere Quotes
French
Playwright
Noel Coward Quotes
English
Playwright
Plautus Quotes
Roman
Playwright
Richard Brinsley Sheridan Quotes
Irish
Playwright
Robert Greene Quotes
English
Playwright
Sam Shepard Quotes
American
Playwright
Tony Kushner Quotes
American
Playwright
William Shakespeare Quotes
English
Playwright