A Quote by Martin McDonagh
'Beauty Queen' will always be a favourite because I think it's a really tight play, and when it's done right, there is a sadness to it that I love.
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'Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
I really love that dynamic between beauty and sadness...theres always these moments of quiet alienation, the sense of disconnect, but also, these moments of possibility.
Occasionally, I have time to go to the theater, and I think for a minute, 'Man, I'd really love to be doing a play right now.' Because I loved doing plays when I was doing them. Then I think, 'I want to do it right now, but will I want to do that Sunday matinee in six weeks?'
My favourite position is in the midfield. I think I can play to my strengths there. I can communicate with every player. I'm more in the game, because as a right-back you have to stay on one side and you're not always in the game for 90 minutes. So I prefer the centre midfield position.
I think I would have one favourite jacket, one favourite pair of sneakers - like, from every kind of thing I do have my favourite - but they're often the things I wear the least because I just want to keep them nice, so I don't really tend to wear them as much.
I always felt like the best comedy came out of sadness, and some of my favourite shows growing up - a lot of my influences - have these very sad characters and treat that sadness seriously while also being very funny.
I think the tight end position is so unique because you always have a mismatch if you know how to dial it up or use it right.
Playing Mark Antony in 'Rome' will always be a favourite of mine because he was such an outrageously big and interesting character to play. Also, the fact that we were able, with that character, to find out and present the public with a biography of that man that had not been really seen before.
I think one of the reasons why I've done all right in TV is because I'm not a raging beauty. I like the way I look, I think I've just got a nice face.
A queen, devoid of beauty is not queen;
She needs the royalty of beauty's mien.
There's a sadness about love, a melancholy and a sadness about beauty. It's just part of the human experience of living on this planet.
I think it will always be me if I always keep a vulnerable side and honest side. My brand has grown because I have done the work. But it will always be me because I will always get down; I will always have those moments.
Life consists of sadness too. And sadness is also beautiful; it has its own depth, its own delicacy, its own deliciousness, its own taste. A man is poorer if he has not known sadness; he is impoverished, very much impoverished. His laughter will be shallow, his laughter will not have depth, because depth comes only through sadness. A man who knows sadness, if he laughs, his laughter will have depth. His laughter will have something of his sadness too, his laughter will be more colorful.
I think as a writer you never have to flee from fame because you're not that visible in the first place, but, after the Broadway success of 'Beauty Queen,' people were coming up to me all the time, and I wasn't really prepared for that level of attention.
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