I'm doing The Physicists, which is great, and I do have my agent to thank for that because a lot of agents try and talk you out of doing theatre. They don't push theatre because you can make more money doing television, whereas theatre wages are pretty shocking. But it's something I've always been keen to do and have been encouraged to do so, which is nice.
I started doing theatre, and that's when I really fell in love with the profession; I learned a lot. It felt a bit weird to go from living in New York on Broadway to university, so I kept putting it off. Then, eventually, I had to give up the place.
Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.
The reason I fell in love with fitness was because of the way I felt after a workout, even looking in the mirror afterward and feeling good about myself.
I was a kid when I read Jane Eyre and fell in love with that universe. I didn't have the acumen to say the prose is old or the prose is too complex. I just fell in love with Jane's very lonely soul, much the same way I fell in love with Frankenstein's creature for the same reason. Those old souls exist in every decade in every century.
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
To be honest, I felt more myself with that haircut. I felt bold, and it felt empowering because it was my choice. It felt sexy too. Maybe it was the bare neck, but for some reason I felt super-, supersexy.
Well, I've always thought that my career was in England, really. I used to do more in the theatre, and I felt that I should be there. It's not far is it? It's amazing the way that special FX have taken a quantum leap in what they're capable of doing.
In the theatre, because you're all looking at the same thing in the same space, consciousness is no longer individual. There is a unified consciousness. Until you look and project what is happening, it doesn't exist; the audience are the ones making the theatre, not the players.
Things rarely get stuck because of lack of time. They get stuck because the doing of them has not been defined.
I left my theatre the Loose Moose almost twenty years ago, and I hardly ever go back. Sometimes I go back to do a Mask class. They're doing more of this than I was doing when I left. Often it's the same improvisers but they're older. And now, they don't care if the theatre's full or not.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I wanted to be a pro volleyball player, and I fell in love with performance and audience response. The pressure of performing and doing something that I love doing in front of people who were grateful to see it. That relationship sort of worked out to be acting and theatre.
My family was bothered because I was a graduate but didn't pursue a job. I used to spend the entire day doing theatre, and at that time, there was no money in theatre.
But I loved the theatre and I was just doing theatre 24/7 and kept dropping courses because I didn't have the time and the chancellor thought that wasn't a good idea after awhile.
I got into music around the age of eight years old, and I think the reason why was because I discovered the Spice Girls. I fell in love with them, and it was the first time I ever felt like the music was just directed to me.