At some point, I would like to start creating my own things. If people don't write the scripts I like, then I will do my own.
A-ha is not me, Paul, or Magne: it is its own individual that has its own identity and characteristics. It is a result of a particular meeting point between the three of us.
I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
I'm a highly, highly, highly creative human being. I write music all the time. I write scripts constantly. I run my own production company. I'm also a very determined businesswoman. I've a town to deal with. I've got a lot of things to do and I don't have time to be classified as difficult, and I don't have time to care.
Most of the time I've worked with directors who write their own scripts. The story is more important to me than the part. The project of the film has always been more important to me.
A bunch of my fans have come up to me and said, 'Because of you, and because you came out, I have finally begun to accept myself.' That is infinitely incredible for me. I didn't expect to get to the point where I would own up to it within myself.
In my own life, I've written scripts that I want to direct, so I would love to take my own creativity in a way where I could tell my own story. That does inspire me, the idea of becoming a director.
If you consider the definition of authenticity, it's saying something and actually doing it. I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
I'm so lucky that I get to write my own music and write my own stories, so every single time I look down in the audience and I see somebody singing the words back to me, it makes it all worth it.
I come from a place of darkness when I write because I'm always trying to figure things out. It's kind of like my own therapy when I write music. It's me working through my own problems hopefully. And putting it into a song.
With the film, you have a bunch of executive producers, directors, writers, scripts. There's, management, lighting, the union and etc. There are so many components a part of that game, so naturally it isn't my world.
Because my musical background is so diverse, it lends me to have very much my own style and it helps me to relate to the music as I'm going to play it. I just write. And if it comes out country, it's a country song. The funny thing is, I write all across the board. I just write what hits me at the time.
Once I accumulated a bunch of sounds and learned how to use Logic, I was like, 'Wait a second, I don't need to work with any producers. I can do this on my own.'
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
For me, movies and television are interesting because they are the dominant storytelling form of our time. My first love will always be fiction, and especially novels, but I'm a writer... I write poetry and essays and criticism and I'd love to write a whole play, and sometimes I even write scripts.