A Quote by Martin McDonagh
I've learned not to be such a show-off and to have a bit more empathy with humanity. Or at least to fake that.
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I think I've learned quite a bit about the battle of the sexes or, at least, how to keep the status quo a little bit more.
Fake is not a word I like to use because there's nothing fake about what I do. It's a show, it's a predetermined outcome; we're putting on a television drama, action, comedy, whatever you want to call it - but it's not fake. Fake would be if I was just about to take a body slam, and my stuntman did it. Fake would be if I was going to take a chair shot to the head, and the chair was made of rubber. I'll tell the world that it's a show, but I hate the word fake. It's such an unfair term to us.
Rich people in poor places want to show off their wealth. And their less affluent counterparts feel pressure to fake it, at least in public. Nobody wants the stigma of being thought poor.
I have learned one thing, because I get treated very unfairly, that's what I call it, the fake media. And the fake media is not all of the media. You know some tried to say that the fake media was all the media, no. Sometimes they're fake, but the fake media is only some of the media. It bears no relationship to the truth.
I've learned how to adapt to different cultures and understand all different walks of life. I've also learned that confidence is key, even if you have to fake it at times. Fake it till you make it, as they say.
That's the beautiful thing about my show... It's truly different every week. We get to pick and choose. Every morning, the girl from production comes to me with 100 different items, and I go, 'Fake, fake, fake, fake... that's cool.'
I have learned to take a bit more off and rest a little deeper.
I also grew to love Nancy Reagan in a certain way. I learned more - certainly I learned more bad stuff that I had known about in greater detail, but I also got a lot of empathy.
I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
In show business the key word is honesty. Once you've learned to fake that, the rest is easy.
Of the hundreds of points to enter and exit that are offered to me, I have to choose the one that I feel is the least wrong, the least fake. It is fake, it is a moment that I choose to erupt the story, but I make it as smooth as I can. What enables me to do it is the skill of filmmaking.
If we show Allah just a little bit of gratitude, He tells us, 'I will increase you, and increase you, and increase you, I swear to it. If you could only show Me the least bit of gratitude.'
Singing in character you can be more of a show off or more modest because it isn't yourself it's a nice way to sing, unusual, a bit like being in musical I guess.
What I learned is, we have to listen to each other, even when we don't agree, even when we think we hate each other. We have to listen to each others narratives. Not interrupt defensively, or with hostility, but really try to open our hearts and listen with empathy. I learned so much from that meeting. It was a very difficult thing to do and it was one of the best things that I ever did in my life. Look what scares you in the face, and try to understand it. Empathy, I have learned, is revolutionary.
Latin women are very comfortable with their bodies and their sexuality. We aren't afraid to show that off a little bit more.
It happens a little bit more in the West, where there's more fluid - where everybody's originally from somewhere else. So they have a little bit more permission to do it. It happens the least, at the individual level at least, in the South, because the South has very strong, you know, set up black churches and white churches and a long history of that, and so it's a bigger social cost.
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