A Quote by Martin McDonagh
When I heard the Pogues, I connected with the songs immediately, but it was also the first time I didn't reject out of hand the kind of music that my parents had always tried to push on to us when we were growing up.
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I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.
I guess I wanted to emulate the artists that my parents were listening to when I was growing up. I've always had this affinity for folk music, and music in general, for as long as I can remember. So as soon as I could start playing shows, I did. And my parents were really supportive of me the entire time.
Growing up, I was the weird, theatrical kid who always tried to make people be in my plays. I've always loved comedy, but when it came time to figure out what I was going to go to school for, my parents were like, "Acting?! I don't think so. No." It took me a while to get the courage to pursue it. I had to do it in secret for a little bit, and then when I got married and was out on my own, I went for it.
When I was growing up, we never had much money. My parents were divorced young, but I was always surrounded by loving individuals. They couldn't give us riches, but they gave us their stories, their hearts, and their time.
I kind of grew up a guitar nerd and I tried to figure out how to shred on an acoustic guitar as a kid, while listening to jazz or whatever. So that is kind of a different thing and my church background, growing up with worship kind of the ground that I learned how to play music from. Those are all odd ways of growing up, compared to most people, so I think the music has plenty of uniqueness in that.
Although we didn't have much when I was growing up in Split, Croatia, my parents always tried to ensure that my sister and I had the things we needed, and it was enough for us.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.
My parents never pushed me towards music. I feel like, growing up in a musical household and always being surrounded by it, I was always kind of a performer child. I remember my parents would have guests over, and they would bring their kids, and I would make sure that we were ready to put a show on.
I went to this boy's choir school when I was growing up, and I think that the first time that I consciously started making music was when this one kid joined our class. He was an amazing pianist and would come up with all these ideas. I've always had a really competitive side, so I saw him doing that, and was like, "I have to try writing songs as well."
For me growing up, Christmas time was always the most fantastic, exciting time of year, and you'd stay up until three in the morning. You'd hear the parents wrapping in the other room but you knew that also, maybe, they were in collusion with Santa Claus.
My parents tried to shield me from how famous they were when I was growing up on Long Island. I had no idea.
When I hear that young people have come to the theater for the first time to listen to opera, I'm very happy. Because it's the same thing that happened to me as a child. When I first heard the tenor voice, I immediately fell in love with this kind of music.
My parents met in music school, and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing.
By the time I wrote those first three songs for his new CD ... I wanted to push the poetics as hard as I could push them, and not decide the songs were finished until I committed them to whatever the recording format was. I went through drafts right up until I recorded every single one of them.
I grew up in a very loving middle class family. My parents were educators. I'm not even the first PhD in my family. They tried to shield me, just as other parents in my neighborhood tried to shield their children. But you knew there was a reason that you couldn't go to that theme park or to a movie theater or to a hamburger stand. They couldn't shield you completely. What they did though was they never let it be an excuse for not achieving, and they always said racism is somebody else's problem, not yours. They tried in that way not to make us bitter about Birmingham.
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