A Quote by Martin McDonagh

My usual trick with the Irish plays is to set things on islands I've never been to. — © Martin McDonagh
My usual trick with the Irish plays is to set things on islands I've never been to.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish.
Irish writing is so strong that it can feel like the country has all been covered, but in fact, there are so many gaps. The small west of Ireland cities and the working classes there have almost never appeared in Irish literature, simply because those communities were never in the way of producing books.
I mean, we were hearing music all the way through the islands. You know, we, when we visit the islands, of course since the islands have been churches have come down, there's a church every two blocks. And so there's music in all these different denominations. So we said, music's gotta play a big part of this movie [Maona] to really capture the culture.
Plays by people like Martin McDonagh and Brian Friel attract huge audiences, not because they're Irish, but because they're brilliant plays.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
There can be no such things as an Irish nationalist accepting the loyalist veto and partition. You cannot claim to be an Irish nationalist if you consent to an internal six county settlement and if you are willing to negotiate the state of Irish society with a foreign government.
Patrick Pearse - who set the events of 1916 in motion when he read the Proclamation of the Irish Republic from the steps of the General Post Office in Dublin - is not exactly an unfamiliar name to the Miramichi Irish.
My love for traveling to islands amounts to a pathological condition known as nesomania, an obsession with islands. This craze seems reasonable to me, because islands are small self-contained worlds that can help us understand larger ones.
I know enough about the moon to know how unpleasant and inhospitable it is. . . . I know enough about Mars to know that you can't live there, you can't settle it. Mars and the moon are two ugly islands. So then, you say, what's the point of going to them? The point is to be able to say I've been there, I've set foot on them, and I can go further to look for beautiful islands.
I'm honoured and delighted to be named the 'Irish Times'/Irish Sports Council Sportswoman of the Year 2014. This has been an amazing year for me and for Irish women in sport, and I would like to congratulate all the finalists in their respective fields who have excelled at major sporting events.
I was inspired by Colin Farrell in the fact that he's Irish and has freckles but with black hair. I'm a bunch of different things, Irish, Polish, Native American, and French, but I wanted to tap into that Irish side and be freckle-y with black hair, so that's what I did.
I was inspired by Colin Farrell in the fact that he's Irish and has freckles but with black hair. I'm a bunch of different things, Irish Polish, Native American, and French, but I wanted to tap into that Irish side and be freckle-y with black hair, so that's what I did.
I showed my appreciation of my native land in the usual Irish way: by getting out of it as soon as I possibly could.
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