A Quote by Martin McDonagh
I never feel like a smug or a smart-alec film director, and there are plenty of those around.
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Alec Baldwin made us all feel like [we could] pal around with him and come up with the best scenarios or scenarios if you're a f - king asshole. So working with him was Alec Baldwin does it the best.
I like the Baldwin boys a great deal. Alec is super-smart, super-articulate, almost too smart to be an actor.
You will never see'Altman's Great Film of the Seventies: The Director's Cut' because you have never seen a film of mine that wasn't the director's cut. I have never permitted it.
To be a director, you have to think you're the best. Ever since I went to film school, I imagined that you have to think deep down that you want to be Martin Scorsese or you want to be P.T. Anderson. Like, am I as good as those guys? Absolutely not. I feel like I keep learning, and I feel like I keep getting better.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.
The first director I ever worked with on 'Thrones,' he had a big hand in casting me. He said he cast me because there was a bit of an Alec Guinness about me, but a very dangerous Alec Guinness.
I wanted to do a film for a while, but I never found a script that I felt I was going to be the right person for; because if you've never made a film, you're not taught how to make a film, and you feel like you lack skills.
Instead of replying, Alec reached down and took Magnus's hands. Magnus let Alec pull him to his feet, a questioning look in his eyes. Before he could say anything, Alec drew him closer and kissed him. Magnus made a soft, pleased sound, and gripped the back of Alec's shirt, rucking it up, his fingers cool on Alec's spine. Alec leaned into him, pinning Magnus between the table and his own body. Not that Magnus seemed to mind. 'Come on,' Alec said against Magnus's ear. 'It's late. Let's go to bed.
I know you're smart. But everyone here is smart. Smart isn't enough. The kind of people I want on my research team are those who will help everyone feel happy to be here.
I feel like I could never walk around a film half-naked. I definitely wouldn't want to see that.
When my film flops, I believe it is my mistake. There have been times when I didn't come out of my house because my films didn't do well. I lock myself in for months. I don't talk to people. I feel bad for producer, director, for those who lost money. It's never about myself or my career alone.
For me, it's not like I am going to look at the money the director's film has made before their film... For me, it is about working with the director whose work I have admired.
It's not a secret that Ted Cruz isn't my first choice for the Republican nomination for president. His smug Poindexter affect, his smarm, sanctimony, and general derpiness all grate on me. There's no doubt he's smart, but while smart is necessary, it's not necessarily sufficient.
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