A Quote by Martin McGuinness

I do have a very deep sense of regret that there was a conflict and that people lost their lives, and you know, many were responsible for that - and a lot of them wear pinstripe suits in London today.
When I was very young, my brother and I, we used to go into charity shops to buy suits. The thing about clothes is that people judge you by what you wear, unfortunately. So when we wore suits, people gave us respect - we were very young, and it made them think we were older.
The people who run the major banks have MBAs and wear suits. And when those people in suits come to the homes of people who don't have a high school diploma, don't even speak English, and offer them a home at zero percent down, that doesn't make a hell of a lot of sense.
I don't want to give a lecture to this body that's out there. You know, I mean, having had the heart attack, I want to get it back functioning. And as a practical matter, I mean if you were Bear Stearns, and you were a shareholder, you know, you lost 90 to 95 percent of your money. A good many lost their jobs. They lost very cushy lives, many of them.
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
I regret very much to hear so many people, many of my own countrymen, predicting war, stating that Europe is preparing and arming for such a conflict.
Many expressions that are in common usage, and sometimes the structure of language itself, reveal the fact that people don't know who they are. You say: "He lost his life" or "my life," as if life were something that you can possess or lose. The truth is: you don't have a life, you are life. The One Life, the one consciousness that pervades the entire universe and takes temporary form to experience itself as a stone or blade of grass, as an animal, a person, a star or a galaxy. Can you sense deep within that you already know that? Can you sense that you already are That?
I'm very happy to say goodbye to the three-button suits. I hate three-button suits. Some people can pull them off, but they're legitimately really, really skinny. Unfortunately, the only people who actually wear them are, like, Mr. Monopoly, and people like that.
I feel like I've had a number of roles in suits, which is hilarious to the people who know me, because it couldn't be further from who I am and what I wear. I think that Aaron Sorkin is, to a certain extent, responsible.
Unless you are really grounded and have a true sense of reality, you can get lost in that and a lot of people do and that's why you see so many people with successful careers but with destructive lives.
Many of the master chefs in the South, both the upper South as well as the deep South, were blacks and many of those people came here to Washington, D.C., and opened up establishments. Very, very few of them have survived. But they certainly were very prominent.
If you go into an underground train in London - probably anywhere, but chiefly in London - there's that sense of almost entering a ghostly dimension. People are very still and quiet; they don't exchange many pleasantries.
You know, there are many people in the country today who, through no fault of their own, are sane. Some of them were born sane. Some of them became sane later in their lives.
Now I'm way into suits that I can put on whether I took a shower or not, and wear barefoot and paint my toes black or whatever color the suit is. It's very cool to wear suits like that. Roll up the sleeves and just say yee-haw.
My father worked for the Foreign Office, so he was away a lot of the time. We were a very volatile family. There was a lot of love and a lot of conflict. The conflict kicked in mostly during my adolescence.
Design and the urgency to preserve it - not as a museum relic, as a living experience. And for me, something that lives alongside mass-produced goods. I'm not saying get away from it. My battle is there is a marketplace for what people wear and what they eat and care about how things are made and not just that they were made, and that's the core focus. I know where things come from, I know their families. I do that throughout my life - I know who makes my suits, and I know where my eggs come from. Everyone and everything is accounted for and has accountability.
Mothers are so awesome. They do so much. They wear so many hats and have very passionate relationships with their kids, and with life, and I think it's a real balance having your own existence and then being this responsible, kind of loving person in someone else's life or several other people's lives.
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