A Quote by Martin Milner

Every weekend he'd have me come down to work on Dragnet, which by now was on television as well as radio. — © Martin Milner
Every weekend he'd have me come down to work on Dragnet, which by now was on television as well as radio.
I come back home almost every weekend, or my wife comes up every other weekend to Vancouver. So, in that sense, we make it work. It's just a great city. It's a great country. They've been good to me, and I have no problems being up there.
'Dragnet' (the 1951 original, transferred nearly intact from radio) served as a veritable template for all cop shows to come.
I don't care if I am doing music: my son comes with me every weekend. If I'm on the West Coast, he'll come fly and be with me. If I'm on the East Coast, I get my son every weekend. It doesn't matter where I'm at - show, no show, whatever. Break or no break. I have my son every summer and every weekend while he's in school.
I started off in radio, then made little films for Granada. I applied for a job at 'Weekend World,' and they turned me down; I'd also applied to the Foreign Office, which accepted me.
I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.
Every time my song plays on radio or television, Hitesh records it and sends it to me. It feels very good; he appreciates my work.
'Longmire' is an incredibly hard shooting schedule because the locations are usually an hour away every morning, and I come home every weekend. I fly back to L.A. for about 26 hours a weekend, just to touch base back at home. It's a lot of work. It's four really intense months.
We're enlarging in every single area of the ministry at In Touch. We're on radio and television. We're in over 110 million homes in America plus radio on satellites. We just acquired the NAMB FamilyNet television network, and with that expanding possibilities of the gospel.
For years everyone looked toward the demise of radio when television came along. Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.
I think that's the problem with kids now. Everything is manufactured. And then they're sitting there watching the television, where all the work is done for them. Radio made me use my imagination.
People often lump radio and television together because they are both broadcast mediums. But radio, anyway, and the radio I do for NPR, is much closer to writing than it is to television.
Well, the big products in electronics in the '50s were radio and television. The first big computers were just beginning to come in and represented the most logical market for us to work in.
So my biggest fun has been watching my daughters grow up. Now, unfortunately they're hitting the age where they still love me, but they think I'm completely boring. And so they'll come in, pat me on the head, talk to me for 10 minutes, and then they're gone all weekend. Right? They break my heart! So now I've got to start thinking, Well what's going to replace that fun?
I even played Jack Webb's partner on the radio version of Dragnet for a while.
The absolute key difference between television and radio is the ability of radio to communicate. With television you can watch the screen and your mind can be anywhere. On radio it requires a certain amount of discipline from the listener to follow what's being said.
How come it rains every Hall of Fame weekend? They need to move it to a different weekend.
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