A Quote by Martin Mull

Like a guide dog, paintings help you see. — © Martin Mull
Like a guide dog, paintings help you see.
Take for example providing a guide dog for a blind person. That's a good thing to do, right? All right. It is a good thing to do. But you have to think what else you could do with the resources. It costs about $40,000 to train a guide dog and train the recipient so that the guide dog can be an effective help to a blind person. It costs somewhere between 20 and $50 to cure a blind person in a developing country if they have trachoma. So you do the sums, and you could provide one guide dog for one blind American or you could cure between 400 and 2,000 people of blindness.
I'm expressing the feelings of mankind today through the Blue Dog. The dog is always having problems of the heart, of growing up, the problems of life. The dog looks at us and asks, 'Why am I here? What am I doing? Where am I going?' Those are the same questions we ask ourselves. People look at the paintings, and the paintings speak back to them.
A blind bloke walks into a shop with a guide dog. He picks the Dog up and starts swinging it around his head. Alarmed, a shop assistant calls out: 'Can I help, sir?' 'No thanks,' says the blind bloke. 'Just looking.'
I have my golden retriever now, Pontiac. He's a career-change guide dog from Guide Dogs for the Blind.
I had rather see the portrait of a dog that I know, than all the allegorical paintings they can show me in the world.
One thing I like to do is visit technical forums and ask for help regarding an entirely fictitious problem I'm having with my software. When I receive help, I say, 'Nope. Didn't work.' If they guide me to a button to click, I say, 'Nope. Can't see it.' Sometimes I just reply with nothing but 'Nope,' and it drives them up the wall.
I'm a dog person, I've had dogs all my life. But you see, it's not really a dog. It's more like a little robot. It's an actor. It displays no emotion whatsoever. I swear that dog doesn't know any of us even though we've done five seasons of Frasier.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
If you need help bark like a dog." - Gendry. "That's stupid. If I need help I'll shout help." - Arya
I'm just really impressed by oil paintings - I don't see how people do it! That's the style I like: classic oil paintings. Abstract art just isn't my thing.
My main characters are the most sunny, happy, optimistic, loving creatures on the face of the Earth. I couldn't be happier that's where I start. I can put as many flawed people in the dog's world as I like, but the dog doesn't care. Dog doesn't judge. Dog doesn't dislike. Dog loves. That's not so bad.
Music loud, I can't help but wiggle a bit and I think that movement finds its way into the paintings... I can see it in the strokes.
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index for all of the paintings I've done and all of the paintings I'm going to do. It's like if I'm doing a film of the Olympics, I'm not examining a specific sport; I'm interested in the overall context.
It was called the Reclaim Guide. It was just a general protest guide that went over security culture and stuff like that. A small portion of that guide dealt with explosives information.
There are times when even the best manager is like the little boy with the big dog, waiting to see where the dog wants to go so he can take him there.
The guru is a tremendous tradition because is a guide, it's a guide to life, and we can guide energetically, we can guide in our thought, we can have a prayer that travels wonderful things.
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