A Quote by Martin Mull
If there is some art involved, I'd like it to be that it came through the cracks of daily work.
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If there is some art involved, Id like it to be that it came through the cracks of daily work.
One thing you have to be very careful on when you work in health care is this: when you make a sweeping change, you can't wait to see what falls through the cracks. What could fall through the cracks is somebody's life. You need to move thoughtfully and carefully with a plan incrementally.
I've done some of my best work in films that fell right through the cracks, so I try to not make career moves but to build a body of work.
I think of art as coming from daily life, daily experience. I think it's very important not to have it become work for some kind of elite circle.
Every time something slips through the cracks, the cracks get bigger.
I think that I came of age in the 1970s with my own work, and it was a time of conceptual and process art, and it was very important not to tell a story. If you told a story, when I was a young artist and first came to N.Y., it was, like, an embarrassing way to make art.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
The fact that biological, or 'natural' rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.
The fact that biological, or "natural" rules might help in the creation of a computer generated work of art is interesting, but even a wonderful work of art made in this fashion isn't the same as a person, with all his or her experiences and emotions involved, making art.
When we teach in pluralistic ways, there are two wonderful dividends. First of all, we reach more students, because some learn best through stories, some through works of art, some through role play etc. Second of all, we show what it is like really to understand something.
I can go to parties all the time and not see people I want to work with, but then sometimes I do, and the way I try to describe it is that I like to refer to art history a lot in my paintings, and there are some people who just have a face that feels like art historical. Like they could be in a Tiepolo painting as a person riding through the sky in a chariot, or she could be in a fashion magazine.
I think everybody has different priorities in their life. People live their lives differently. People become famous through all sorts of different reasons... some of it through art and some of it through just wanting to be famous. And I think how that all starts tends to reflect how you live your life daily.
I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that. There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
Some people need a targeted kind of learning. They need a different approach, like charter schools. There are virtual classrooms that some will do well in. The reality is, if there are no options, if there is just one particular standard, then someone is going to fall through the cracks, as we've seen.
Cracks especially. You have to be careful of the cracks.. Sometimes they are disguised as something else. A doorway, or a smile or even a winking eye. And if you fall through them, you never know were you will end up.
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