A Quote by Martin O'Malley
I did not dedicate my life to making Baltimore a safer and more just place because it was easy.
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There are now that 20 consent decrees in place like the one in Baltimore that are helping put broken police departments on a path to reform. And this is long work. Baltimore is just embarking down this road.
Every time you go to an airport and get on a plane, you are basically taking advantage of the work that was done at Langley. Between World War I and World War II, they did just tremendous amount of fundamental research into basically making airplanes safer, making them more stable.
It's hard for me to view Baltimore outside the context of what Baltimore has always been in my mind: a violent place.
I have a thing for Baltimore: the word itself, the place - I don't know where it comes from; it's just a weird city. I have a song called 'Baltimore,' but I'm not from there. I've driven through there a lot. We've played a couple of shows there, but it's not a big market. Some good bands come from there, though. Animal Collective and Beach House.
Most people will look back and realize they did not have a great life because it's just so easy to settle for a good life.
I live in San Francisco, I live in Provincetown. They're all the same, apart from Baltimore. Baltimore's the only cheap place left.
Well it was sent to me, well because almost everything that is written in Baltimore is sent to me. And David Simon, who was a writer for the Baltimore Sun, spent one year following the homicide squad in Baltimore and he chronicled that period of time.
Writing a song to be a single is hard, and I don't like to focus on that because you can get caught up in making something just terrible, which is really easy to do if you're focused on making it a single. It's more fun when you focus on what excites you musically.
My friend advised me to go into studying art, which at first shocked me because art was so easy. It was just something I did, like breathing or brushing my teeth. It couldn't be a job. I had a much more difficult time writing plays, making myself sit at that typewriter and finish those things.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
The impulse to make ourselves safer by making ourselves less free is an old one ... When we are badly frightened, we think we can make ourselves safer by sacrificing some of our liberties. We did it during the McCarthy era out of fear of communism. Less liberty is regularly proposed as a solution to crime, to pornography, to illegal immigration, to abortion, to all kinds of threats.
If I hadn't had my children, I would have been discouraged a lot quicker. It would have been much more easy for me to say, "You know what, let the whole thing go. Have a good time, because these people, this place - it's just not worth it." You know? I can't do that anymore. I look into those eyes and they look at me so trustingly that I'm gonna make sure that [they're thinking], "Hey, you did a good thing bringing me into the world, daddy. I'm going to have a great life!"
I also made two very important discoveries as time went on. In the first place, I discovered that making money was easy. I had been led to believe that money and possessions would insure me a life of happiness and peace of mind. So that was the path I pursued. In the second place, I discovered that making money and spending it foolishly was completely meaningless. I knew that this was not what I was here for, but at that time I didn't know exactly what I was here for.
I love Baltimore. It is a city with a giant heart and has remained one of my favorite places to keep returning to on tour. It is unique and beautiful, and you can't mistake it for anywhere else in the world - Baltimore is one hundred percent Baltimore.
Dean Bartoli Smith's Never Easy, Never Pretty will help satisfy the hunger of so many Baltimore Ravens fans wishing to re-live the club's remarkable 2012 title year. It's a virtual play-by-play re-enactment. But, more than that, it's about the long love affair that's consumed so many in Baltimore, which commenced with a team called the Colts and continues, strong as ever, with the beloved Ravens.
I don't believe in work-life balance. I think it's more about work-life integration because, increasingly, so much time of ours is spent doing work, so I've always wanted to dedicate my work life to having a social impact.
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