A Quote by Martin Parr

The trouble with Hollywood films is that they always have a pleasant ending. — © Martin Parr
The trouble with Hollywood films is that they always have a pleasant ending.
I don't care about Hollywood films. I'm not against Hollywood films, you know? Hollywood films were very good before, in the 1950s.
It's very hard to write about that which is always beautiful and pleasant and good. You don't get anywhere with it. There's no friction in it. There's no trouble. You have to have trouble. Somebody's got to get in trouble, or no one wants to read it.
If you take the '70s with Blaxploitation pictures, there was a proliferation of black-content films and motion pictures, television, stage plays and so forth at a time when Hollywood was in trouble financially, and it was cheaper to do black films to keep the lights on until they could reestablish themselves.
I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage between Europe and Hollywood has always been the best when it works.
Film is universal. All the countries of the world are making films. Hollywood is the only major unsubsidized center for films. To my knowledge all others are at least partially subsidized. I'm glad Hollywood isn't.
You don't see Indians in Hollywood films around which a story can revolve. As soon as we have a social presence in your society, I am sure there will be many actors from our part of the world that will be acting in Hollywood films.
I really enjoy watching animation films and I have always been curious about how such well-established actors in Hollywood lend their voices to animation films.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
Hollywood has successfully produced many films framed by anti-racist or pro-integrationist story lines. I'm going to guess that since 'Gone With The Wind,' Hollywood realized films about racism and segregation pull at the heartstrings of everyone and hopefully serve to purge a sense of guilt.
The films I do always have a happy ending. I hope it reflects back to real life.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
I couldn't get a job acting all the time and there were down periods where I could take photographs or paint. I got into a lot of trouble when I was young, from making two films with James Dean, watching him work and then him dying and thinking I could turn down work. There was a big difference, he was a star and I wasn't. So I got in a lot of trouble and was essentially banned from Hollywood.
Pleasant it is, when over a great sea the winds trouble the waters, to gaze from shore upon another's great tribulation: not because any man's troubles are a delectable joy, but because to perceive from what ills you are free yourself is pleasant.
Pleasant it is, when over a great sea the winds trouble the waters, to gaze from shore upon another's great tribulation; not because any man's troubles are a delectable joy, but because to perceive you are free of them yourself is pleasant.
I always try to do true endings and that's where I got into trouble always because Hollywood wants to do happy endings.
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