A Quote by Martin Parr
I like to keep in touch with younger photographers. It's important that a younger generation comes up and questions the assumptions made by old farts like me.
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When I was younger, I didn't have that type of person that I could look up to and be like, 'OK, this is someone who dresses like me and I relate to.' I didn't have that growing up, so to give that opportunity to a younger generation of women - and not just Somali women, but anyone who feels different - that means a lot to me.
Of course there are a lot of books that are interesting to make movies out of, but on the other hand, I think video games are also kind of like bestselling books for the younger generation, and the younger generation is the one going to the theaters.
I think with each generation comes more opportunity. At least that's the way that I see it. I grew up in a generation that watched the birth of the internet. We all have. But I feel like I look around at the generation younger than me and it's a very opportunistic mantra.
I don't want this music to die.The older people are passing it on to the younger generation so the younger generation can pass it on to the next generation.
You're talking about a younger generation, Generation Y, whose interpersonal communication skills are different from Generation X. The younger generation is more comfortable saying something through a digital mechanism than even face to face.
It's nice for me to be in touch with a younger generation.
I wrapped 'Buffy' and I always felt on 'Buffy' that they wanted to keep me younger for a specific reason. It seemed like I was getting younger every year that I was on the show. I think there was a reference to me being 15, then 14.
When I was eight years old, or I may have been younger, my aunt picked me up and threw me in the pool and I didn't know how to swim. It was like, "Conquer your fear and just get on with it." It must have made an impact on me.
I have a few different managers, and one of them hit me up today and was like 'I'm going to set you up with these guys doing beats and such...' I was like cool, as long as I can do what I do. Just because kids are going like this now, I'm not going to do that because I am not 18 years old. I'm not going to rap like I'm in grade three because it's popular. I'm just not going to do that. It's not because I'm being stubborn, and I definitely not that guy that is getting older and does not understand the younger generation.
It was interesting that feminists of my generation told me: You are discouraging younger women; you are confirming stereotypes of women; you are opening a door, initiating a debate, that will harm our movement. And my point was: We are already having this debate, especially in the younger generation.
As women, we can't look old. We can't be fat. We're supposed to look like the 14-year-old models in Vogue, who are younger and younger and skinnier and skinnier, and they are air-brushed and contoured and Photoshopped.
Well, a younger woman is a type, but not necessarily a type for me. And what is a younger woman? I mean, I'm pretty old. Almost everyone is younger.
The number of people my age, younger now, a whole generation younger, who are fiercely bright, over-educated, under-employed and who are politicised and purposeless really upsets me. It's soul-destroying.
I feel education is more important even now for the younger generation than when I was younger. The kids really need to buckle down and get a good education. That's why it's so important to have computer programs and good tutoring programs, so they can have fun in school. It also keeps them out of trouble.
Water has always been a large part of my life, so for me now, being a father with another child on the way, I'm just teaching some of the small things I've been able to learn - and passing that onto the younger generation. Small things like turning your faucet off when you brush your teeth, not taking a 30-minute shower when you really don't need to. So I want to teach the younger generation to spread the message and make a difference. I'm almost more excited to do this than I was to swim.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
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