A Quote by Martin Puryear

I was never interested in making cool, distilled, pure objects. — © Martin Puryear
I was never interested in making cool, distilled, pure objects.
It is clear that everybody interested in science must be interested in world 3 objects. A physical scientist, to start with, may be interested mainly in world 1 objects--say crystals and X-rays. But very soon he must realize how much depends on our interpretation of the facts, that is, on our theories, and so on world 3 objects. Similarly, a historian of science, or a philosopher interested in science must be largely a student of world 3 objects.
And as paralyzing and upsetting as all the never agains were, the final leaving felt perfect. Pure. The most distilled possible form of liberation.
I've never been interested in pure movement or pure stability, but in the unstable.
Mathematicians do not deal in objects, but in relations between objects; thus, they are free to replace some objects by others so long as the relations remain unchanged. Content to them is irrelevant: they are interested in form only.
I'm not interested in painting; I'm not interested in making a picture. Then what the hell am I interested in? I must be interested in this process.
[Mathematics is] purely intellectual, a pure theory of forms, which has for its objects not the combination of quantities or their images, the numbers, but things of thought to which there could correspond effective objects or relations, even though such a correspondence is not necessary.
Part of the people here are interested in the same thing that Putin is interested in: Putin wants to have America as an enemy. Part of Americans want to have Russia as an enemy. It's advantageous. The other part of the people are just ordinary people. And these people project onto big objects the kind of relations that they have with small objects in their everyday lives.
I wasn't really that interested in objects. I was interested in ideas.
Naming celestial objects is usually done by astronomers and professionals. Other people who are interested in space never get the opportunity to do that kind of thing.
I'm not interested in making an album that's just dark and pummelling for an hour, nor am I interested in making a beatless record from start to finish.
I'm not interested in making horror-comedies, but I'm very interested in making scary movies with funny parts.
I’m interested in vernacular cultures, where people lived a little closer to the source of materials and the making of objects for use. And for me, not to rely strictly on the history of art has always been an interesting process, to be looking into areas that we call craft and trades.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
I'm always interested in projects. Whatever I do, I'm interested in the color of the material. I'm not interested in who's making it. I'm more concentrated on the work.
Awkwardness gives me great comfort. I've never been cool, but I've felt cool. I've been in the cool place, but I wasn't really cool - I was trying to pass for hip or cool. It's the awkwardness that's nice.
And as paralyzing and upsetting as all the never agains were, the final leaving felt perfect. Pure. The most distilled possible form of liberation. Everything that mattered except one lousy picture was in the trash, but it felt so great. I started jogging, wanting to put even more distance between myself and school. It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.
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