A Quote by Martin Sheen
I love The West Wing for many reasons. The show has been a fantasy. But we have offered a parallel universe to reality.
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I wrote the show West Wing for the two years before and the two years after 9/11. Suddenly everyone in the world had been through something that our characters had not been through; the whole trajectory of the world had changed. Yet our show took place in a parallel universe. I wasn't really sure what to do about this. In no one's wildest dreams did it occur that an event like this could possibly happen.
While many alternate reality stories ask, 'What might have been?' parallel universe stories literalize the war between good and evil that plays inside each of us every day. It's what makes this type of story so perfect for many fantasy tales: we're all just a coin flip away from being entirely different people.
The key word about The West Wing is show. It is not a reality show. It has nothing to do with reality.
'The West Wing' was an incredible, inspiring show - and one of the reasons I wanted to be a speechwriter.
The universe works in mysterious ways and for me it worked out perfectly. With all respect to everybody else, Aaron Sorkin is and was The West Wing, full stop. There's no West Wing without him.
What we're doing on 'The West Wing' is fictional. It's not a place to learn about politics or government. Has there ever been a fundraiser on 'The West Wing?' No. So right there, you're in Disneyland.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
Pretty much up until The West Wing, our leaders had always been portrayed in popular culture as either Machiavellian or dolts. But I thought, "What if we show a group of people who are highly competent, they're going to lose as much as they win, but we're going to understand that they wake up every morning wanting to do good?" That was really the spirit behind The West Wing.
People are distracted by objects of desire, and afterwards repent of the lust they've indulged, because they have indulged with a phantom and are left even farther from Reality than before. Your desire for the illusory is a wing, by means of which a seeker might ascend to Reality. When you have indulged a lust, your wing drops off; you become lame and that fantasy flees. Preserve the wing and don't indulge such lust, so that the wing of desire may bear you to Paradise. People fancy they are enjoying themselves, but they are really tearing out their wings for the sake of an illusion.
When I came on 'The West Wing,' I jumped onto something that was already a steaming locomotive of a hit. It was very exciting for me because I knew, the moment I got the 'West Wing' job, 'Well, hey, so now I'm on a hit show because it already is established and very popular.'
When doing a fantasy show - or a show with fantasy elements - the more you can anchor an effect to reality, the stronger the illusion is.
The thing with 'The West Wing' is that the fantasy was legitimately better than the reality - these were smarter, better people than their real-life counterparts, working together at a better White House than the one we had.
The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.
I think I love fiction shows more than the reality shows. I have been offered many shows, but I don't think I am tailored for reality TV.
The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
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