A Quote by Martin Short
What's great about being a character actor is you know that you can survive forever. It's not about the gloss of your eyebrows.
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What's actually amazing is that, after a couple of years of living with characters and writing characters and talking about characters, as we sit in the writers room and break episodes, it strikes you, every once in awhile, that you're talking about a character that's played by the same actor, who you've been talking about forever. We talk about a character dying, so you get emotional, and then you realize, "Oh, but wait, that actor is still on the show."
One thing that's great about being a character actor is that a movie doesn't rest on your shoulders. If it bombs, it won't hurt my career.
As an actor, you have to just think about the truth of your character. You have to think about how to play the character in the way that you know it needs to be played in your heart and why you were hired.
I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.
The Funkasaurus character was great and it taught me about being humble, about the character, about not being concerned with what people think you should be.
I know what a good question would be for an actor. What's your least favorite thing that you've ever heard an actor say about acting? Or about being in a movie?
As an actor, you don't want to ever get too comfortable where you're like, "I know this character," and you don't do the work anymore. Then, there's something that you're going to miss. If you always stay hungry to learn more about your character, that's a healthy thing, while having a great sense of who she is, at the core.
I love performing. I love doing improv. It's a totally terrifying experience, but it's something that I've always felt so strongly about and that I'm kind of obsessed with. And just as an actor, it's a great exercise. It's a great playground, you know, to try things out and to work on your skills. Because the mandate of improv is kind of the same as acting: It's all about your scene partner, it's all about being present and in the moment and exploring together as a team, a collaboration.
With film, it's all about the actor being able to feel the things that the character's feeling. It must do some strange things to your mind. Music I find much easier because you're being honest about where you are as a person.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
You know, the character of Isabelle in 'Love Crime' is the only character I feel the furthest from. I have nothing to share with her, so it was really difficult. Being an actor of composition is something, but you always base yourself on something you know about.
But when my grandmother saw me plucking [my eyebrows] she said: 'Don't. You will regret it. One day you will wake up with no eyebrows and think how stupid you were. Your eyebrows are the most beautiful thing about you.'
As a character actor, you have to understand that it's not about you. You have to remember it's about someone else's life. And your character is just passing through.
But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
A girl can dream." His eyebrows rose. "Is that what you dream about? Being a monster?" "Not exactly," I said, frowning at his word choice. Monster, indeed. "Mostly I dream about being with you forever.
Sometimes you'll see interviews about an actor who was asked to hit the weight room to develop his body for the character, and you hear them complaining about the egg white omelettes they had to eat and the tortures of hitting the gym twice a day - I find that to be a bit saddening, it's all a part of becoming the character and as an actor, that is your job.
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