A Quote by Martin Short
You can do 12 great takes, but if the director is no good, he'll end up picking the wrong one.
Related Quotes
I'm a good teacher and am great at observation and picking out what's wrong and fixing it.
I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.
Really living without clutter takes an iron will ... This involves eternal watchfulness and that oldest and most relentless of the housewife's occupations, picking up. I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.
One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.
Despite a good subject if the director is not up to the mark, the execution can go wrong.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I have never for a minute felt in was my stock picking abilities. I feel that my stock picking abilities aided- I was able to pick out which are the good stocks in the good market, but I have been blessed with a great market.
For me, a director is a director immaterial of the gender. At the end of the day, the audience is only interested in watching a good film.
I can actually build my equipment at the back end of the telescope such that it takes the data from all of the separate antennas and adds the signal together with different time delays and different phase shifts - it's as if I were picking out up to eight individual pixels in this large field of view.
Knitting is formed by a series of loops pulled through loops to the end of time or to 'desired length'. By picking up loops and working in the opposite direction you are really picking up the concavities between the loops, and it is sheer unexpected witchcraft that stocking stitch and garter stitch will permit such an anomaly. Be grateful for this and don't expect anymore.
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
You know, Chihiro, darling- all it takes is one little wrong step and you end up feeling frustrated your whole life, like me.
I thoroughly enjoyed shooting for 'Velaikkaran,' and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
If you have a script that's not great, if you have a great director, you can make a great movie, but if you have a great script with a director who's not good, never are you going to have a good movie.
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