A Quote by Martina McBride

My older brother was into Creedence Clearwater Revival and ZZ Top, and my sister was into pop radio. So somewhere along the line, I got into Ozzy Osbourne, REO Speedwagon, Heart, Pat Benetar, Journey.
I liked back in the sixties where you'd turn on the radio and go 'Oh that's Hendrix, that's Creedence Clearwater, that's The Doors, there's The Grass Roots, The Monkees, there's Big Brother.' You could just instantly hear it and tell. But in the eighties and nineties there's no way you could do that.
I don't care if it's rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.
If you listen to the radio, and something beats you into surrender, like 'REO Speedwagon', and you really hate them, there's 'You Can Go Your Own Way' in your ear all day, and that's what makes a good song.
My parents were incredibly strict. My father went through a stage where he'd line us up every Friday and cane our hands if we'd been naughty. And this was mainly to pull my brother into line. My brother is five years older and my sister's eight years older. He would use a little bamboo cane, which my brother saw most of.
I have an older brother and older sister. My older sister is the girliest girl on the planet, so I just hated everything about that. I did anything my brother did. He actually got me into wrestling. I watched it because he did, and I played video games because he did.
I have always tended toward extremism: I'm Motorhead rather than REO Speedwagon.
I had an older brother, an older sister and a younger brother, and though I look back fondly on my childhood, I think that when you've got four siblings sharing the same resources and a single kids' bathroom, it's going to get a little tense at times.
There are so many millions of records out there, you should always be playing old and new together. This way, people can respect what the early elders of certain musical tastes have given to what we are now, and where we're going in the future. I don't care if it's rap, metal, whatever. You still should play Beatles records mixed with Limp Bizkit mixed with Foghat mixed with Creedence Clearwater Revival, stuff like that.
Somewhere along the line I knew there'd be girls, visions, everything; somewhere along the line the pearl would be handed to me.
It just seemed like all the records I have made since Creedence Clearwater Revival have all been sort of pushed off center. I felt like I was dancing around the outskirts of what is my true center. With this album, I really wanted to stay on the mark, right in the middle, right where rock 'n' roll is. I wanted this one to be easier, a lot more fun than some of the past records have been.
I just picked up a lot of classic-rock, melodic influence from my mom, music that she listened to, like 10,000 Maniacs, Led Zeppelin, REO Speedwagon and Yes.
I had an older brother who passed away recently, an older sister and a younger brother.
Ozzy Osbourne is one of my favorite interviews, he's so good.
American rock was, and still is to some extent, a closed shop. REO Speedwagon, Toto, Boston, Foreigner all those bands, and I wouldn't be able to tell which from which.
There's an innocence to Ozzy Osbourne. He's mingling, but he's somewhat detached.
It was like going to church, except Ozzy Osbourne was there.
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