A Quote by Martine Franck
I feel concerned by what happens in the world.... I don't want to merely document; I want to know why a certain thing disturbs or attracts me and how a situation can affect the person involved.
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I want to see something that I've never seen before, so how can I tell that actor what that is? I'm not trying to construct a document or situation that is what I want, because what I want is something new to me.
Listen, Harriet. I do unterstand. I know you don't want either to give or to take ... You don't want ever again to have to depend for happiness on another person." "That's true. That's the truest thing you ever said." "All right. I can respect that. Only you've got to play the game. Don't force an emotional situation and then blame me for it." "But I don't want any situation. I want to be left in peace.
I think what it was with the war photography was the concerned eye, the desire to document these situations to show the world the horrors of war. It inspired me to document prostitution; inspired me to document homelessness in America. We are the richest country in the world, yet we have people suffering, so it helped me to look at things in that manner.
I made promises to you that I'm not sure I can keep. None of it has anything to do with you. It's just that I don't know what to do now. You must be thinking what a rotten person I am. Well, believe me, I'm thinking the same thing. I don't know how this happened or why. Maybe I can get over it. Do you think you can wait - because I don't want you to stop loving me. I keep remembering us and how it was. I don't want to hurt you ... not ever.
I want to investigate different cultures, to see how their identities and values affect their music. It's one way I can get to know our world, at least to a certain depth.
I really think there's a difference between how men critics see things than how women tend to. And I don't want to make that - it's not a generality and I don't want to say that, but I just feel - I know I do the same thing. There are certain things that I just am not that interested in. Certain kinds of films - I just don't enter them.
Once people see this 'Unplugged,' I just want them to feel the spontaneity, to feel passionate... I want you to see another side of me, that's free, and feel where my head is, where whatever happens, happens. I want you to feel inspired.
For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.
My inspiration is really very simple: I'm struck by things that I want to know more about. I really do react just as a curious person: who is this person? What's the story behind this situation? Why do people like this or dislike this thing?
When you know someone for four-five years, you tend to know everything about the person. You tend to know when the other person is reacting to a certain situation, how the other person would react in a situation.
Seeing games become more of a young person thing, I feel like a toy I grew up with has been left behind. I don't want to. I want this thing to be respected by adults. I want this thing to be growing with me. It's important to have games that could be more nuanced and reflective of the real world and relevant to adults.
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
If you want to do a certain thing, you first have to be a certain person. Once you become that certain person, you will not care anymore about doing that certain thing.
The thing about our country, Americans, and New Yorkers in particular, we all want to help. There's real folks who want to help. The problem is, they don't know how. They don't know how to get involved.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
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