A Quote by Martine Franck

My grandfather killed himself falling off the dike in Ostend while photographing my two cousins. This can happen so easily when looking through a lens: for a split second nothing else exists outside the frame.
Man is nothing else but what he purposes, he exists only in so far as he realizes himself, he is therefore nothing else but the sum of his actions, nothing else but what his life is.
Be sure to take the lens cap off before photographing.
My belief is that the U.S. is looking at the world through a short-term lens of tariffs and elections, while China is looking at a 25-year plan of becoming the dominant global power.
Direction is a thousand choices, a thousand decisions a day. And having a vision of what you want, and then knowing what you want frame-by-frame, second-by-second... if you don't have it laid out in the design and in the way the actor performs it, it's not going to happen.
You cannot separate the composition from the life of the moment. It is all one thing, to be decided in a split second while you're living through it.
There in front of me was the Senator on the floor being held by the busboy. There was nobody else around, and I made my first frame, and I forgot to focus the camera. The second frame was a little more in focus... then just for a second, while everything was open, the busboy looked up, and he had this look in his eye. I made that picture, and then suddenly the whole situation closed in again. And it became bedlam.(On the 1968 shooting of U.S. presidential candidate Bobby Kennedy.)
Talented people can predict with great accuracy what's about to happen just a tiny bit ahead of their competitors. It might be two seconds ahead, or two hundredths of a second, or two days. Napoleon on an eighteenth century battlefield had something more like a two-day advantage. Wayne Gretzky in a hockey game was probably a second ahead of everyone else on the ice.
Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me.
The state of mind of the photographer creating is a blank. I might add that this condition exists only at special times, namely when looking for pictures. -Something keeps him from falling off curbs, down open manholes, into bumpers of skidding trucks while in this condition but goes off duty at other times. . . . This is a very special kind of blank. A very active state of mind really, it is a very receptive state. . .
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
I had two options. One was to remain silent and wait to be killed. And the second was to speak up and then be killed. I chose the second one. I decided to speak up.
Photography is a life of learning. That's all I want from photography. I don't want the money. I don't need the fame. I don't need the admiration. I'd like all of those things, but I don't need them. Because what I get from photographing is learning. I have spent my life learning by looking through a lens.
Television has made places look alike, and it has transformed the way we see. A whole generation of Americans, maybe two, has grown up looking at the world through a lens.
I was with somebody else at the time, who I left - one, because I didn't really want to be with that person, and two, because I felt I'd had so much tragedy I needed to go off, go crazy, and maybe live on the outside for a while.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
Some people skip through life. Others are dragged through it. I sometimes wonder if we are moving through time, or whether time is moving through us. Light, unlike anything else in the universe is not effected by time. Light exists outside of time.. It is still a mystery to physicists.
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