A Quote by Martine McCutcheon

Any actress will tell you, when you've been given a starring role in the initial run of a show, you want to be getting the standing ovations every night, not just on review night.
Edge goes out every night, and not just on pay per views; every night, Edge goes out there with the intention of stealing the show. I know that he felt like his title run had not been given the respect from the company that it deserved, and he was really hell-bent on proving that he belonged as a main event guy.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this yo your face, I couldn't make myself go.
Each show is a very honest portrayal of how I'm feeling that night. It can go off in any direction. The show is different every night, and that makes it much more exciting. Every evening is unique.
You have to remember the band played from 1960 to 1965, every night. You get into a rut playing nightclubs every night, and you didn't want to run it into the ground.
So I lied to you last night. I said that I just wanted one night with you. But I want every night with you.
I took care of myself. Basically I'm a vegetarian, I run every day, I exercise. I kind of control my living habits. I try to get a good night's sleep every night, I don't stay up all night and do all that stuff.
I think that when you're an actress, you have to think about what kind of a role model you're going to be. I hope that I'm a good role model for young girls. I'm not going to, if people still want me in their movies, I don't want to be one of these girls who goes around partying every night and is in rehab. I don't want to do that.
I do a meet and greet after every show in which I tell the audience that I would love to thank every single one of them for coming. Which a lot of people take me up on! So I get to meet hundreds and hundreds of people every night, night after night.
The show 'Mahabharat' has given me sleepless night; I just couldn't stop thinking about it. It's a once-in-a-lifetime opportunity for me, and I don't want to leave it at any cost.
I've been driving in the city for years because, as a stand-up in N.Y.C., you can perform at more comedy clubs a night if you have a car. Getting from club to club by subway is too slow at night and too expensive by cab. So, many comics live far out from Manhattan and drive in every night.
If you want to know how important Portland is to me, there's no Saturday night gigs here. They weren't available. So our whole thing coming into Portland, which is going to be different from anybody else, any other city, is every night is Saturday night.
No one ever wants fight of the night. Every fight I've gone in, I want knockout of the night. I want to be in and out quick. Sometimes, these guys just have a lot of grit - they're highly trained, and I just can't get them out of there, so I get fight of the night.
Standing ovations have become far too commonplace. What we need are ovations where the audience members all punch and kick one another.
If you're dreaming of being a great soloist, walking on stage, receiving ovations night after night, having money thrown at you, girls chasing after you and your beautiful picture - that's wonderful. But what exactly does that have to do with the practice of music?
I've actually taken meetings about hosting a late-night talk show. I don't know that what we know as a late-night talk show is what I want. But I've been talked into a talk show, but it would be different.
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