A Quote by Martine Syms
At some point, all black movies became biopics. All the good, serious ones became biopics. 'Ray,' 'Ali'... those types of movies, those are the opportunities available for mostly men. Those are the opportunities for a black actor to transcend 'black' movies. They have to play a black icon.
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I grew up on a very specific diet of certain weird movies. Of course, being black, there are more black movies in there. I'll get to bring some of those references into 'Mystery Science Theater 3000.'
Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.
There are black men who are madly in love with white women. God bless them, if that's what works for them. I just hope that we can strike a balance that portrays black folks and the black family in a light that's not extreme. Those are the types of characters that I find myself attracted to.
If the white man can come here uneducated and as an immigrant, and within 10 or 15 years set up an industry that provides job opportunities and educational opportunities for black people, then if the black man, the black leadership, who has access to all of this money and has all of these degrees today, can't use his talent and his know-how to set up business opportunities, job opportunities, housing opportunities for the black people the same as the white leaders have done for white people, then these black leaders need to get off the boat.
I feel like part of my journey as a filmmaker is to tell different stories, whether they are just a black perspective on things that aren't necessarily hood movies, or Tyler Perry movies or Ava DuVernay movies. Love all those people, but that whole thing has been sowed up already.
We really wanted it to be an action movie. Those are the movies that we love. We're big fans of like Shane Black movies, when we were younger - me and Evan [Goldberg].
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.
It's very difficult to get any movies done about Black heroes - Haitian or American - in Hollywood. The argument in Hollywood is that there is no market for those movies, and that is not true.
I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.
Black men, we're known for getting into some drama with other black men, specifically black-on-black crime. We're used to the confrontational attitude.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
Listen, I think movies serve many different purposes, from those movies that are frivolous and just an entertainment, to movies that just go to exploring the complexities of the human soul. Everything is valid if it's done with honesty and dignity, and I actually do both of those types of movies in my career.
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
I feel an obligation to use black dancers because there must be more opportunities for them, but not because I'm a black choreographer talking to black people.
I love to unwind and watch movies, especially those from the classic black-and-white era.
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