A Quote by Martine Syms
When I'm working on something, even when I don't know exactly where it's going, I have a sense of what I'd like to make. So maybe doing things right is following that sense even when I stop trusting myself. The rightness is in the process, even if it doesn't match up with my plans.
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We're not always going to understand why something happens.True faith is trusting even when it doesn't make sense
If I ever thought of directing again, I mean - I don't know, even the idea of directing a film is a strange one for me, because I feel kind of anti mathematics in a way in that sense. Anti - I don't like when things make sense, I prefer if they don't, so if I made a film, it wouldn't make any sense and no one would see it. So maybe I'll just make little films at home with my phone, never to be released.
I've totally learned in this process that 99% of the time, your gut is right, and you know what's right for you. I know exactly what's right for my career and for my art, and sometimes, even if the whole room is saying, 'Don't do that, don't do that,' you know that doing that is going to be good for you, in the long run.
Joy is a part of my process. In fact, I'd go so far as to say that poetry, as a practice, necessitates a sense of joy. It's exhilarating to come into contact with the things we write into being. And a real sense of play and abandon ? even when we are relying on hard-won technique, and even when the aim is deadly serious. How often do we get the excuse to stop, think, and then stop thinking altogether and try to listen to what sits behind our outside of our thoughts? Poets are lucky.
I don't understand shopping, it doesn't make any sense to me. As guys, we decide we want something and then we go out and buy it. Women go to the store having no idea what they're going to buy, or what they're even doing, it's like a whole different sport. It's like going to a football game to maybe watch a game. I don't get it.
I am religious by nature, I'm not a nihilist. I don't follow, I don't even know what the tenets of things like deconstructionism are, and all those schools that come up and their way of looking at things that people strive to incorporate into what they write. I don't even know what they are. Because I sense from a distance that I don't want to know. And therefore even if I had no politics, actual politics, my cultural point of view is hopelessly out of date with the modern literary sensibility. Which is nihilistic, and ironic, detached, cool, and cowardly.
Although it's pretty rare that I'll get completed, finished lyrics to a song and feel like it's done, and then decide that it's not worth doing. Usually, I can tell along the way - even if it's something I've been working on for a couple of months - that it's just not going to work. Maybe I'll come back to it a few months or even a year later, or maybe it's just gone.
I think spirituality, even if there's no God, even if there's nothing - I consider myself relatively spiritual. I believe in a God. I don't know what it's like, but I do believe in it. It's the only thing that makes any sense. Maybe I'm just looking for order in the chaos. Though, I do believe in Evolution and I do believe in science.
I do believe in the myth of San Francisco and there is a force, a magical kind of thing there. That feeling of like, I've never been to another place like it. It doesn't even feel Californian. Even how it's laid out physically, it's very strange. Like, the weather patterns don't make sense. They do scientifically, but in a practical way it doesn't make any sense. And that weirdness, it really creates some weird thing in the air. But it is you know, on a practical level, it's very expensive, and it's a very business-oriented place, too, and there's a lot of that stuff going on.
When I was a freshman at Yale, one teacher brought me up after class and said, 'You're trying to undermine my class.' And I thought to myself, 'Oh my God, I'm going to be kicked out of school on the first week.' Not only do I not have a sense of self, I don't even know what she's talking about. I don't even know how to undermine anything.
Careers are built on relationships. Even if it's a bad movie, even if I know it's a bad movie, even if it's a team of filmmakers that I know are going to be difficult, that I know are going to really make me work extra hard, it's fundamentally the same process.
You know that the formula is askew when even if the formula is working, it's not; when even if everything's going right, something is wrong.
Sometimes, even when I'm writing the lyrics, I'm not sure what I'm getting at, but then months will pass and I'll listen to it and I'll understand it completely. I think I trust myself in that most of what comes out of me will be honest. Even if it seems like it doesn't make a lot of sense, I realize that it does. It's hard to follow, and maybe there's a lot of subtext to it that nobody knows, so it makes it impossible to follow.
Even if people end up doing awful things, you can empathize with their motives when you know them. When you get to know the person, you can understand why they make those choices, even if they're bad. And oftentimes people do have good drives that are sympathetic and can even be seen as selfless and good-hearted.
With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me. That's something that seems to happen as well when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.
I do not see myself, I never make plans, I never set goals and I never do that kind of stuff I don't like to futurize, I barely know what I will do tomorrow and because there is a working plan here, I've never futurized because life always surprises me with things even better.
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