A Quote by Marty Robbins
The great songs just come out. If it comes quick, just leave it that way.
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I kind of miss writing songs the way that I used to write songs, in the sense that I would just sit down, and all these words that told a story would come out. There's one Bon Iver song called 'Blood Bank' that is more representative of an older lineage of songs, which I like and I sort of miss. But it just doesn't happen anymore for me.
I think great songs can come from anywhere and you constantly have to be able to look out for those. I think a lot of the times people will try too hard to write everything themselves and therefor miss out on great songs that way.
I just know that I'm innovative. I'm a quick thinker... In Washington, I just want to be a senator who finds a way to drive change and not figure out a way to conform.
I just feel like the songs that come out are the songs that come.
Some of your best songs come from a desperate attempt to escape, so sitting in an airport for hours I can just start pulling out little fragments of songs from my head. A lot of times a melody will just occur to me and be my companion for a couple of months.
There are so many songs that I could not sing the way I wanted to. When such songs come on television or radio, I shut them off or leave the room.
My next record I really just want it to be a collection of great songs, classic songs in a way.
The most important rule: Do not, I repeat, do not censor yourself in any way. Leave your editorial mind out of the loop. Just let the ideas come pouring out in any way, shape, or form they want to. Do not judge anything.
I don't really premeditate what I write my songs about; you know, they just kind of happen, and I can't start writing songs to please a certain group of people or propagate a certain message all the time. That's just not how my songwriting works - it just sort of comes out, and the songs are what they are.
There are times where I'm just open to receive songs. I sit down, and a jam will just come out, all at once. It's like, 'Song. Done.' I can't really explain it. This isn't the best way of putting it, but sometimes I feel like I'm a magnifying glass for vibes.
The act of the being in the band has very little in common with writing songs. The songs come out of it, and the band is necessary for the songs to emerge, but the band doesn't exist just so the songs can emerge.
I put out 'Rhythm & Bricks,' which showed my versatility, and I had a lot of melodic songs on there, then I had a lot of street songs on there, and I just wanted to know what everybody wanted from me. I did put that out so that everybody could get a feel, so 'Cut It' just happened to come out of there.
I love coming in for quick pops. You come in. You score. You leave. You're on the golf course. It's great. You don't carry any story.
Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
A simple compliment goes a long way - for a guy to just come over and say, 'You have great hair,' or, 'I really like your dress,' and then just smile and walk away, that's a great move, because he's sort of putting himself out there by doing that, but it won't lead to any embarrassment if the girl isn't interested.
And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.
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