A Quote by Marty Stuart

Doing a thing call the Hillbilly Rock, some say it came from Elvis down in Tennessee. — © Marty Stuart
Doing a thing call the Hillbilly Rock, some say it came from Elvis down in Tennessee.
There was a misconception about me when I started off because I had my hair greased up and I have some vague resemblance to the hillbilly gene pool that Elvis came from. People would say, 'You want to be Elvis' and I would say, 'No'.
It's the hillbilly rock, beat it with a drum. Playin' them guitars like shootin from a gun. Keepin' up the rhythm, steady as a clock. Doin' a little thing called the hillbilly rock.
Let me tell about Tennessee. If your car breaks down in Tennessee, you have just moved to Tennessee.
To some extent, the idea that rock 'n roll used to have this sort of free antediluvian identity, frolicking in the 1950s with Elvis or something, is totally wrong. It's insane. Elvis' relationship with Colonel Parker, his manager, was one of the most possibly corrupt, certainly lucrative, and intense business partnerships ever in rock n' roll.
Tennessee's a hillbilly dumping ground, and Georgia's a lousy state too.
Elvis was rock'n'roll. He came from the poverty and the pain.
I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.
God looked down on this country because this country was founded on the rock and that rock was our Lord and Savior Jesus Christ. And when the storms came and the rains came, the rock, it did not move. But over the last 15 or 20 years, something began to erode.
I'm writing this down, because it is going to be hard for me to say it. Because this is probably our last time just us. See, I can write that down, but I don't think I can say it. I'm not doing this to say goodbye, though I know that has to be part of it. I'm doing it to thank you for all we have had and done and been for one another, to say I love you for making this life of mine what it is. Leaving you is the hardest thing I have to do. But the thing is, the best parts of me are in you, all three of you. You are who I am, and what I cherish in myself stays on in you.
I will say, this is something, this praying for people to die thing, that's something that I came to believe was unscriptural. And for years, I made these arguments to my family, in writing, privately in letters that didn't get responses and in interviews. And for a while, they just doubled down. Eventually, they came to stop doing it.
I grew up in the funk, rock and roll, blues and r&b tradition, and I came to this thing we call jazz later. And I came to improvise music from the standpoint of jazz; I was improvising, but within these other genres of music.
I don't even want to call it God. I just want to call it connecting with something that's greater than I am. So that's the biggest thing from Tennessee - the spirit.
What excited me when I first came into it was the performing aspect and doing blues-oriented material, rock/blues oriented stuff, basic stuff, basic what they call rock 'n' roll.
People define themselves to some degree by the music that they listened to as teens. My mom had Elvis. Me, I had 'The Who' and later punk rock. Kids who came up in the '80s had other songs and bands. It's a way of placing ourselves culturally and temporally.
Elvis Presley was rock 'n' roll, I thought that was pretty mediocre. But since that time, the succeeding steps in music has been down, just more degradation. Then we got into punk rock, and now we are into rap music, which is a total oxymoron.
When you sit down and think about what rock 'n' roll music really is, then you have to change that question. Played up-tempo, you call it rock 'n' roll; at a regular tempo, you call it rhythm and blues.
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