A Quote by Marty Stuart
Nobody in my school knew who Bill Monroe was, or Lester Flatt and Earl Scruggs, and barely Johnny Cash. Nobody spoke that language. I proceeded to get myself kicked out.
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The only two jobs I ever had were with Lester Flatt and Johnny Cash.
When I was 5 years old, I got my first record. It was 'Flatt & Scruggs' Greatest Hits.' The second was 'The Fabulous Johnny Cash.'
I think Earl Scruggs playing propelled bluegrass and Bill Monroe's music to the level that - where we're all still talking about it.
There wasn't really a lot of difference from a Mississippi perspective between what Elvis did on 'Mystery Train' or 'Milkcow Blues' or what Bill Monroe was playing or what Flatt and Scruggs was playing; it was rock 'n' roll to me.
I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
But, I enjoy music from lots of people. And you also have to also remember that I grew up in a household where people like Fats Domino, Little Richard, Johnny Cash, Jerry Lee Lewis, Earl Scruggs, and so many others were at mama's house. So, I heard everything growing up.
I mean if it wasn't for Earl Scruggs, guys like me wouldn't be doing what we're doing. I mean, he's changed so many people's lives, honestly. I was thinking about all the thousands of people that live in Nashville, like myself, that there's no reason a guy from New York would end up down there if it wasn't for the sound of Earl Scruggs' banjo coming over the airwaves and just changing my life.
Through the '80s, nobody cared about Johnny Cash.
Germany doesn't have a Bill of Rights, England doesn't have a Bill of Rights, nobody else has a Bill of Rights. You know, the United States is very unique, and that is in the Bill of Rights and the fact that one third of the population is armed... nobody's armed in Canada, nobody's armed in England, nobody's armed in Germany, it's amazing, the United States is a really stand alone class act.
I was a kid who was born and raised on Johnny Cash. My father played 'At Folsom Prison' constantly. Cash was the only thing I remember coming from our big, warm stereo console. Even then, I knew Cash was uncool. I knew he was an unhip Republican.
I really thought I knew Johnny Cash. I thought I didn't need to spend a lot of time researching his life. But I wasn't within 50 miles of knowing Johnny Cash. I knew he was a good guy and a dedicated artist, but I didn't know the demons, the struggles he had in his personal life.
My family said that a big firm was where you'd get the most opportunities. I knew nobody who had ever worked at a firm, nobody who knew anything about it. I just tried to get the best job I could.
There was nobody at the time who was playing slide guitar like Johnny, and nobody, or no white guys at least, that was playing country blues like that on the acoustic guitar. And it was at that point that I realized what Johnny had to offer.
Nobody the dead man & Nobody the living Nobody is giving in & Nobody is giving Nobody hears me but just Nobody cares Nobody fears me but Nobody just stares Nobody belongs to me & Nobody remains No Nobody knows nothing All that remains are remains
The amazing thing about Sweets [Edison] was that he exactly spoke the way that he played! He was really unique, the one and only. He was one of the greatest Blues players that I ever heard and played with. Nobody can play like Sweets man, nobody! Most of us, musicians, frequently quote Sweets' phrases in our solos. Like Lester Young, Sweets had a big influence on us musicians, especially when we play some Blues.
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