A Quote by Marty Stuart
More than anybody in the music industry, the Staple Singers were like family to me.
Related Quotes
It disturbed me that the music industry had gone down the drain, even though people were listening to more music than ever and from a greater diversity of artists.
I grew up in a house that was always happy, and my family was always music, music. I started playing percussion very young, because I had some uncles who were musicians and all my aunts were singers.
Well, more than me saying to the rest of the country music industry there is not enough traditional country music - that is not necessarily the statement in truth. I think more so that I, me, missed it more than anything else.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
It's a multi-billion dollar industry run by our family. That gives us some real unique advantages. We know our sport and our industry better than anybody else. We have the values from the original days. We understand how our stakeholders win and lose in a big way. So I think gives us an advantage to be family controlled, family owned.
The music industry seems scary to me. I mean the film industry is crazy enough so the music industry to me seems like the wild, wild West. Like I would just never dare.
I don't think I ever heard music playing when I was younger, other than the radio. My parents got me a Walkman and stuff like that, but I was always way more into listening to music than they were.
To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.
The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.
I started from zero. Nobody in my family is connected to the industry. Not a single contact in the music industry or in the entertainment industry.
The thing that I remember the most in my childhood was the love of family and the discipline in the family. My father and mother both were disciplinarians, and they didn't mind using the rod. Maybe because I was the oldest child I always felt I got much more of it than anybody else.
That's why I loved being with you. We could do the simplest things, like toss starfish into the ocean and share a burger and talk and even then I knew that I was fortunate. Because you were the first guy who wasn't constantly trying to impress me. You accepted who you were, but more than that, you accepted me for me. And nothing else mattered-- not my family or your family or anyone else in the world. It was just us.
I saw the 'Popstars' programme and to me it looked more like 'Opportunity Knocks' than the kind of cutting-edge postmoderism that The Guardian would like to have us believe it was. I think what it's more about is the public and the music industry's bloodlust. It's just like someone itching to say 'Oh, confound it all, let's bring back hanging, that was good entertainment'.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
I was willing to accept a bad reputation if I deserved it, but it was going to be based on my actions, not on anybody's history. I'm not running from my family - I couldn't embrace my family more. But I wanted to work in an industry where I could define myself, not be defined by my grandfather's history.
The thing I don't like about L.A. is that it's very industry-focused. That's not bad for kids. It's not hedonistic or anything, not any more shallow than anybody in the Midwest. It's not that.
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