A Quote by Marty Stuart
I started out in gospel music. A lot of people don't know that I started out in gospel music, and I've never lost sight of it.
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I believe that gospel is more than just a sound, it's a way of life. I don't really have any shame to talk about spirituality in my music. A lot of your favorite soul songs started out in gospel.
I wasn't allowed to listen to a lot of music growing up. It wasn't until I started to make my gospel record when I was around 14 or 15 that I started to be exposed to more outside influences.
Of course when you are a kid you listen to what your parents had around. A lot of gospel, jazz. Now when I started to listen to music on my own it was around the time of the birth of rock and roll. Shortly thereafter I started to get into more blues and more traditional rootsy American music.
When I started saxophone, my dad took me to my uncle's church, and I started playing there, too. At its best, music serves a greater purpose, and that showed me a whole other side to spiritual jazz, one which you can hear in the music - the gospel and blues feel, the soul that's embedded into the more avant-garde records.
I'm a church musician. I play gospel music; that's what I do. I never had a chance to produce gospel music, and I did a full album with Lecrae that's the number one Christian album. It's super-big for me.
I didn't really know a lot about music when I started out, but now I've learned how to write music or make melodies.
I started doing Bollywood and film music, and now, it has come to a point where I've started to say no. I want to do my own music. I have been there and done that, so I am not there to achieve that any more. I just want to put my music out there, and if people listen it, okay; if they don't, then fine.
I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.
I started to music when I was about 19 years old. Most people that do music, they get training, or they develop themselves before they let their music out. For myself, I was actually developing myself and putting my music out at the same time.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
Gospel music is not a sound; gospel music is a message. Gospel music means good news. It's good-news music.
I started going to a piano teacher at 5 years old, but pretty soon I started picking things out on my own and stopped taking music lessons. I never could read music very well, but I've still been doing it.
Everybody's looking for some kind of authenticity in music. Or some kind of truism, you know, "This is true!" And the thing about gospel music is, these people are singing about their faith. So it always comes across with, as authentic, you know? Gospel choirs put across this amazing sound but they're singing from the heart because they truly believe it. And I kind of have that faith, but I just have that faith in music.
I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.
My heart is still there in gospel music. It never left . . . I'm gonna make a gospel record and tell Jesus I cannot bear these burdens alone.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
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