A Quote by Marty Stuart
Hillbilly Rock' was the song that opened the door and gave me a reason to get a bus and a band and cowboy clothes to go out there and figure it out in front of everybody. And the hits started coming.
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When I started out playing live, it was different. I felt good about it. Nobody knew who I was. I just opened for so-and-so. Now, I'm playing to people who are coming out to see the band. There's too much attention on the band and me.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
I think that everybody that's coming out to Warped Tour, when they come to see the show, they're always like; let's go see that band that band that band and... that girl. I think that I tend to be that girl sometimes and I think that it's cool that I get to hang out with this Summer camp of smelly boys.
When you've got an extra gear in your head where that's all you do, you've constantly got a little radar up. ... And when something hits that strikes that beeper, hits that radar, it's like my song skills kick right in and go, 'Oh, OK, there's a song in that.' And then I start trying to figure it out.
If you take a song like 'We Will, We Will Rock You,' 'You got blood on your face... ' - he's rhyming on that! And if you take the lyrics out of that song, you get a hip-hop beat. It's a rock song, though. So it's not out of my element for me to get with Black Lips.
The audience wants to hear 'Rock n' Me,' 'Space Cowboy,' 'Living in the U.S.A.' When you start to play something else, you can feel the interest and enthusiasm go; the steam goes out of room. They are really 'Greatest Hits' fans and that's what they want to hear. It's disappointing that it's this way in the U.S.
As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it. So, putting out a record, it's such a brilliant opportunity to be in control of things. It's my world, my music, and I can put it out there in a way that is meaningful to me.
For my seventh birthday, my parents gave me a plain, unfinished wooden dollhouse. It had six empty rooms, two floors, a staircase, and a door that swung out onto a little front stoop. The windows opened, and the roof retracted on one side, revealing an attic.
There was one time they knocked me out and laid me in front of my mother's door. And in order for my mother not to be shocked they readjusted my clothes and they saw that nothing was rumpled and I looked very comfortable next to the apartment door, so when my mother would open the door it wouldn't be that much of a shock.
Elizabeth's voice had a door in it. When you opened that door you found another door, and that door opened yet another door. All the doors were nice and led out of her.
I'm not really interested in clothes. Mainly, I like wearing clothes that don't make me stand out - I tend to go for Marks & Spencer and Gap - and I do get put in the changing room at Gap, and clothes are passed to me under the changing room door.
I wouldn’t want you to get in the shower and then pass out or some such. How about if I help you get out of your clothes? I’m an expert in platonic undressings.” He gave me that wicked smile. “Give it a rest. I’m not going to strip naked in front of you, and I’d rather pee in private.” “Half the injuries in a home happen in the bathroom. What kind of friend would I be to let you face that kind of danger alone? I mean, sure, you walked out of death, but this is a shower.” “Shame. Get out of my bathroom.
When I started my own business, my main reason for designing clothes was that I wanted to dress rock stars and the people who went to rock concerts. It didn't go beyond that aspiration at that point.
A paparazzo once jumped out of a car and started running backward with me. I slowed down out of courtesy because she started drifting into the street. I reached out my hand and moved her back so she didn't get hit by a bus.
You know, with bands like Kiss back out on the road and Aerosmith coming out, we are going to be a band like that, in the sense that it's a big rock band.
I started writing when I was trying to be an actor, and I happened to be friends with Tina Fey, who happened to have her show '30 Rock' coming out. So Tina, who happens to be a mentor to me, gave me my slot and hired me.
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