A Quote by Marty Stuart
I loved the Rolling Stones. I heard a little bit of country music creeping around the edges of some of their songs. Being a Mississippi kid, I could feel they had done their homework, even when I was a little boy. I could feel the Delta blues influence in a lot of their work.
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Since I was a kid, I've had an absolute obsession with particular kinds of American music. Mississippi Delta blues of the Thirties, Chicago blues of the Fifties, West Coast music of the mid-Sixties - but I'd never really touched on dark Americana.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
I love to make music, and if I could do this forever I'd be happy. But if I can help any other kid out there or anyone - and show them that "life throws weird stuff at you all the time. It's OK to get down, but it's bringing yourself back from that that's really going to make you who you are," if I can help anyone out there feel a little bit less alone or make them feel like their voice is being heard through me or my music, that is the goal.
I'm in Delta Delta Delta, otherwise known as Tri-Delta. I've developed some great friendships, and it's enabled me to have a little bit more of a normal college experience.
I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.
I kinda feel that my brother wrote some of the best country lyrics ever - 'The Ballad of Curtis Loew,' 'Mississippi Kid' and that little hit 'Sweet Home Alabama.'
Man, my little boy wanted to hear some new music. So it was like, I can't just play all my music around him, so I got to go ahead and make a whole project so I can get it clean, and have a clean version of all the songs just so he can listen to my music, you feel me?
Three 6 Mafia have been around for a long time; we've made a lot of music. Anybody's music can influence anybody. I've heard people say that our music has influenced such and such, and it could be true, and it could not.
A little bit South you've got Macon, Georgia - home of the Allman Brothers, the Marshall Tucker Band and Capricorn Records. And off to west you've got Delta blues. Sprinkle Southern gospel over the top of that, and you're talking about where I came from. I loved all of that music.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
When I first came on the scene, I don't think people knew what to make of the way I dress, my aesthetic and how that ties into my music. It took a lot of explaining. You don't really see females in country music dressed in all black wearing funeral garb with netting on their face. I have a bit of a gothic sense to me in a lot of ways, with a bit of outlaw country, rockabilly and blues. My subject matter is off the cuff a little bit.
I had a very thorough grounding in music; I'd grown up around songs. My parents listened to a lot of music. My dad was majorly into jazz, which was absolutely a big influence on me, even if it was more subconsciously as a kid.
I liked Western country, like cowboy songs, when I was a little kid. Then I developed a taste for Hank Williams and those sort of songs as I got a little bit older.
I do feel I'm responsible to carrying on the music. That's what I was charged with as a kid. When I was a little girl, I was told, 'When we are gone' - when you're a kid, you never think they'll ever be gone - 'you have to keep the music alive, the Carter Family songs, and add your own songs.'
I enjoy writing songs that could have been written before [my time]. When I feel like I'm tapping into a deep vein in the body of American music, it gives me strength as a writer, like I'm dipping my pen into a deep ink well. That's the folk music tradition. Like Pete Seeger said, 'Everyone's a link in the chain.' It's a strong chain, so rely on it. ... I believe it takes all those great songs in the past to make your song even a little bit good.
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