A Quote by Marty Stuart
One thing that I love about country music, probably more so than any other culture - maybe the blues rivals it - there are so many American folk heroes. There's the Coal Miner's Daughter, the Man in Black, the Red-Headed Stranger, and on and on.
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Jazz I regard as an American folk music; not the only one, but a very powerful one which is probably in the blood and feeling of the American people more than any other style of folk music.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
My father use to say if coal died, the country died. He was right. Our economy rests on the back of the coal miner. If we did not have the black diamonds of the mountains to burn, we would lose more than half of the nation's energy reserves.
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
See that little girl? I wanted to marry her mother, but she ran off with a coal miner," "A coal miner? Why did she want a coal miner if she could've had you?" "Because when he sings...even the birds stop to listen.
Elvis Presley's death deprives our country of a part of itself. He was unique, irreplaceable. More than twenty years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense. And he was a symbol to people the world over of the vitality, rebelliousness and good humor of this country.
I think that anything is a form of folk music. That's just me being glib, but the thing I like the best about humans, and there are not many other things besides this, is that humans make culture. If you're an artist, a big part of folk is noticing what other people are doing and incorporating it and changing it - the way that songs warp and change over time.
The music that I first fell in love with was American music, really. Nothing against British acts - I love them and will forever - but on the whole, it was the art of American storytelling in the kind of folk and blues lyrics that, if you scratch a little bit, there's a heartbreaking story there.
What I consider to be the barometer for what is a rock artist and what is not, is somebody who has a certain element of blues, even a hint of soul or blues music, derivative of African-American blues, folk, spiritual, or gospel.
In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music.
In England, in France, in no other country would a black man have a chance to get elected. There's no two ways about it. Our country [USA] has been better about dealing with immigration and people who are different from each other than any other country in the world, that I know of.
Not exactly. You see, Portia and I think that the coal miner thing's very overdone. No one will remember you in that. And we both see it has our job to make District 12 tributes unforgettable,' says Cinna. I'll be naked for sure, I think. 'So rather than focus on the coal mining itself, we're going to focus on the coal,' says Cinna. Naked and covered in black dust, i think. 'And what do we do with coal? We burn it,' says Cinna. 'You're not afraid of fire, are you, Katniss?' He sees my expression and grins.
I've never bothered about my color. I never had that thing about being black. If the whole world was like that, maybe there would be more harmony and love. Maybe. I don't have a problem with being black in a white country or being with my people.
Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.
I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
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