A Quote by Marva Collins

You can't find me 20 children in Chicago, I don't care which section you go in - you can be on Michigan Avenue or here - and they won't be able to tell you that y is a vowel when it's the final syllable in a word, as in Nancy and icy. And no one bothers to teach the rules anymore - "i before e except after c."
My brothers and sisters and I spoke in a language called Egg Latin. In the early '50s in Canada, this became a fad way of talking among certain people. It's based on the concept that in every syllable before the vowel and after the preceding constant you insert the word 'egg.' So, my name Phil would be 'Pegghil.'
I shop a lot from the children's section and, sometimes, from the men's section. You'll find skirts, shirts and shoes from the children's section. My friends buy me more adult-like clothes, and I love those. But I cannot do away with the colourful stuff.
You'd never think of taking a cab if you had to walk a mile down Chicago's Michigan Avenue. But in a bad city you take a cab just to go around the corner.
You can't tell parents to teach children the value of work when we don't have jobs and the jobs we have don't pay a decent wage. You can't tell children to achieve and then let them go to broken-down schools with teachers who don't care. We need a consistency of values in our public, corporate, and private lives.
Dear Bill (O'Reilly)...I am concerned that you have been losing touch with reality recently. Did you really say you are more powerful than any politician? That reminds me of the famous story about Squeaky the Chicago Mouse. It seems that Squeaky was floating on his back along the Chicago River one day. Approaching the Michigan Avenue lift bridge, he called out: Raise the bridge! I have an erection!
Vowels were something else. He didn't like them and they didn't like him. There were only five of them, but they seemed to be everywhere. Why, you could go through twenty words without bumping into some of the shyer consonants, but it seemed as if you couldn't tiptoe past a syllable without waking up a vowel. Consonants, you know pretty much where you stood, but you could never trust a vowel.
My father came from an intellectual and studious avenue as opposed to a brawler's avenue. So I had to go further afield and I brought all kinds of unscrupulous oiks back home - earless, toothless vagabonds - to teach me the arts of the old bagarre.
Picture books have terrible PR amongst the children of this country. Ask any librarian: after a certain age, children just aren't interested in the picture book section anymore. It's filled with moms, strollers, and unbalanced toddlers.
We are unique among advanced countries that we don't have universal health care. My hope was that I was able to get a hundred percent of people health care while I was president. We didn't quite achieve that, but we were able to get 20 million people health care who didn't have it before. And obviously some of the progress we made is now imperiled because there's still a significant debate taking place in the United States. For those 20 million people, their lives have been better.
I am so proud of the growth of Dylan's Candy Bar into two more flagship stores: Union Square in New York City and Chicago on Michigan Avenue, and two airport stores: JFK and Detroit.
I have a dialogue coach who helps me out with some of the more tricky Chicago vowel sounds.
How can we teach our children to be responsible beyond themselves and care for other human beings' welfare and for the welfare of the planet and all that it contains? It's a difficult lesson to convey, when, more than 20 years after the Exxon Valdez disaster, Prince William Sound is still experiencing the damaging effects.
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
I grew up in Glen Ellyn, which is about 20 miles west of Chicago. I attended Glenbard South High School and University of Illinois. I didn't study acting until I moved to Los Angeles after college, but the fact that I was raised in the Chicago area set the stage for all of my comedic and acting sensibilities.
Our children learn the phonetic method, which is why they're very good spellers, I suppose. Because rather than ABC or just saying a word, they'll have to go a as in apple and all the other a's there are in the English language. They learn that when they're four. Children all over America can tell you that a, e, i, o, u, and sometimes y are vowels. But you ask them about that "sometimes y," and they can't tell you.
In terms of smaller changes over time, I think good plays are like poems. Every syllable counts. So I wrestle with word choice, rhythm in final drafts.
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